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Think Tank - Remount Section, AIF

REMOUNT SECTION, AIF

by Andrew Barton ‘Banjo’ Paterson
Andrew Barton “Banjo” Paterson.

During the Great War, Paterson served with the Remount Section in Egypt and penned this entertaining story of his service. It must be viewed as a soldier’s tale rather than taken as historically accurate. However, regardless of the exaggerated history, the setting is precise in detailing the running of a Remount Depot.

Happy Dispatches Chapter XV - Hell-Fire Jack

A man who feared nothing—”He’s gone after two Turks”—Had to try a sniff of gas—Remounts and rough-riders—A general chooses a charger—But selects an Australian buckjumper—Australian admiration for South African.

It is usual on the stage to begin by introducing some minor characters with a view to providing an effective entrance for the star. These minor characters are supposed to stand about in sycophantic attitudes, or to wave their hats with enthusiasm, as the star approaches; and then the audience starts to cheer. It is perhaps as well, therefore, before introducing Lord Allenby, to prepare for his entrance by saying something about “Hell-fire Jack,” otherwise General Royston, by instinct a bandit chief and by temperament a hero, whose name is well known in South Africa, England, and Australia.

But even a Brigadier-General, unimportant as he may be in comparison with a Field- Marshal, is entitled to have some sort of an entrance worked up for him. Let us begin, then, by setting the scene and saying something about the lesser lights (known on the films as “atmosphere”) so that we may get the principals into due perspective.

From a military point of view a remount unit is very much “atmosphere.” So it is opportune to introduce the sixth squadron of the Second Australian Remount Unit, better known as “Methusaliers,” the “Horsehold Cavalry,” and the “Horse-dung Hussars.” Their activities may serve as a foil for those of General Royston. In its un-military appearance and in its efficiency it rivalled the Australian hospital.

AT SEA – EN ROUTE FOR EGYPT

A sketch of Major Banjo Paterson by Australian war artist George Lambert.
Brigadier General Granville de Laune Ryrie leads the 2nd Australian Light Horse Brigade across the desert at Esdud on the Philistine Plain in 1918.

“W’ere the ‘ell wos it we wos?” Two of the troopers of the sixth squadron of our Australian remount unit had been wandering about the transport, down an alley-way and up a flight of stairs, down another alley-way and up another flight of stairs, until they were hopelessly lost. One was a little jockey enlisted as a rough-rider, and wearing a suit of uniform that fitted him all over and touched him nowhere. The other was an over-age man enlisted as a groom and bearing himself with all the smartness and dignity of a tired shearer.

For truth to tell, our remount unit in appearance, at any rate was about Australia’s last hope.

The country had been combed for efficient fighting men to make up the losses on Gallipoli and the Western front. Then it was discovered that about a quarter of the Light Horse regiments who were fighting on Gallipoli had been left behind in Egypt to look after the horses; and it was decided to organize a couple of hundred rough-riders, possibly the best lot of men that ever were got together to deal with rough horses. Horse-breakers from the backblocks; steeplechase riders; men who had got their living by riding outlaw horses in shows—a lot of them had hung back from enlisting for fear that they would never be able to learn the drill. But when they heard that they only had to ride buck-jumpers they decided “to give the war a fly.” All our officers were over age or unable to pass the doctor for fighting units. Not more than two or three of us knew anything about drill; the rest did not even know a sergeantmajor from any other major.

November 1915—At Sea. En route for Egypt. Once we are at sea the march of the inextinguishables commences. These men may be old, but they don’t know it. A harassed little Irish non-com. comes up, salutes smartly and says: “Trooper Whittin’ham wishes to see ye sor.” Trooper Whittingham, a grizzled veteran from the cattle country with the marks of the scurvy still on the backs of his hands, gives a salute like a man brushing away a fly, and leans his elbows on the table.

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