MT Lead Review
Hardware ▨ Software ▨ Mobile tech ▨ Accessories
Every aspect of music production is being made more accessible with technology: from creating the perfect dancefloor beats to easy pro mastering. However, in more recent times, the target audience for software developers seems to have shifted to the soundtrack composer – or wannabe soundtrack composer – so we’ve had many libraries and instruments aimed specifically at them.
I’ve looked at a stack of these over the last couple of years, including fantasy favourites from Eduardo Tarilonte (Shevannai and Era) and sci-fi blockbusters from Heavyocity (Gravity) and Wide Blue Sound (Orbit).
While all very different, these collections do have one thing in common: atmosphere. They will help transport your music making to another place or time, so are ideal tools for the soundtrack composer. With the blockbuster soundtrack being so high-profile, and pop careers being so low-cash, everybody wants to be the next Hans Zimmer rather than the next Eurovision entry, so collections like these are becoming almost as ubiquitous as analogue synths.
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About MusicTech
Make a track today!
That's the focus of the May issue of MusicTech as top producers reveal their secrets and top tips to starting, arranging, mixing, finishing and mastering your music. If you've ever needed inspiration, had trouble taking a tune beyond its initial ideas, never known how or when to stop, or needed a pro mastered sound, this is the issue to get! On top of this massive set of features there's a huge studio interview with the legend that is Gary Numan, 1.22GB of free samples and all the latest modular synth and music production news.