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Digital Subscriptions > MusicTech > Nov 17 > DISTORTION IN LOGIC PRO X

DISTORTION IN LOGIC PRO X

With eight plug-ins covering distortion, Logic Pro X offers everything from soft saturation to aggressive fuzz. Mark Cousins gets crunchy…

TECHNIQUE DISTORTION

LOGIC PRO X TUTORIAL

Engineers have long used distortion as a means of adding ‘mojo’ to a sound – whether it’s a touch of drive across some drums, or some aggressive distortion on a synth bass. Logic Pro X has a bewildering selection of plug-ins from the versatile Distortion and Overdrive plug-ins, to more guitar-friendly options like Pedalboard. Each plug-in offers a slightly different approach and characteristic of distortion.

Distortion can be highly effective applied as a subtle tool, adding drive and character to an input rather than it sounding notably distorted. In other examples, you’ll want to use Distortion as a noticeable effect, where the sound is mangled to a point where it’s (almost) unrecognisable from the original source. Distinguishing between these two contrasting approaches, therefore, and the plug-ins you can use to achieve them, is a key component in using Logic Pro X’s distortion plug-ins effectively.

For simple, relatively transparent applications of distortion, you’ll want to use the Distortion, Overdrive, Distortion II and Bitcrusher plug-ins. These all benefit from a relatively simple control set, and when applied discreetly, don’t necessarily result in the input being completely covered in distortion. Two initial stalwarts are Overdrive and Distortion. On the whole, Overdrive is the subtler of the two plug-ins, producing a warm form of distortion associated with FETs. Distortion, on the other hand, models the distortion produced by solid-state devices, which tends to have a slightly harsher tone.

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About MusicTech

We’re very excited to reveal our new-look issue, which is on sale from Thursday 19th October, and we’ve gone the extra mile to give you something really special. Building up the courage to share your tracks over the internet is one thing, but performing them live is something else entirely. That’s where our cover feature, From Studio To Stage comes in. With 7-pages of expert advice from Matin Delaney you’ll be gig-ready in no time. Elsewhere in the mag we chat with Emre Ramazanoglu, who’s body of work includes several 2017 movie soundtracks as well as some of the biggest pop releases in recent years. Additionally we present our 10 tips to speed up your computer (without buying a new one), a retrospective on the Roland SH-101 and 6 reasons to buy more gear (as if you needed any). This and so much more in the new-look issue of MusicTech magazine.
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