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Digital Subscriptions >  Music > Practical & Playing > MusicTech Magazine > Sep 2019


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MusicTech Magazine

(3 Customer Reviews)   |     Write Review 12 issues per year MusicTech is the world's leading magazine at the intersection of music and technology. Every issue comes packed with in-depth features on music recording and production, including interviews with visionaries, gear reviews, buyer's guides, and easy-to-follow tutorials — all written by our team of industry experts and musicians.

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Issue Cover

MusicTech  |  Sep 2019  


It’s probably not all that contentious to say that everybody, at some stage in their music-making journey, needs a synth. Whether you’re working on deep, intricate soundscapes, creating pounding dance music or concocting chart-climbing pop hits, taking advantage of the myriad textures, pads and
leads that the synthesiser provides is a no-brainer.

This month, we celebrate this beloved instrument with a series of linked features, highlighting the history, science and ongoing development of the synth. We speak to Georgia, an artist who wowed Glastonbury with her retro synth-pop stylings; take a trip to Bristol to visit UDO and look at the making of the Super 6, a synthesiser that merges the very best of old and new technology; while Andy Jones delves into the synth’s pivotal role in shaping dance music. We also continue Adam Crute’s Sound Synthesis Masterclass series, this time exploring the science and mechanics of sampling and synthesis.

Aside from our synth focus, we also have a fantastic interview with The Prodigy engineer and co-producer Neil Mclellan, who tells the inside story of the making of their classic record Music For The Jilted Generation. We also speak to MPG Breakthrough Engineer Of The Year 2019 Dani Bennett Spragg about her incredible career to date and her best-practice advice. Later, we experience the mind- (and ear-) blowing wall of sound that is James Murphy
and Soulwax’s Despacio sound system.

Our review section this month continues the synthy vibe that runs through this issue, as we get hands-on with Native’s latest iteration of Massive X, have some fun with Modal’s CRAFTsynth 2 and explore the scope of Softube’s Volume 3. I hope you enjoy the issue.
MusicTech is the world's leading magazine at the intersection of music and technology. Every issue comes packed with in-depth features on music recording and production, including interviews with visionaries, gear reviews, buyer's guides, and easy-to-follow tutorials — all written by our team of industry experts and musicians.
As a subscriber you'll receive the following benefits:

  A discount off the RRP of your magazine
  Your magazine delivered to your device each month
  You'll never miss an issue
  You’re protected from price rises that may happen later in the year

You'll receive 12 issues during a 1 year MusicTech magazine subscription.

Note: Digital editions do not include the covermount items or supplements you would find with printed copies.
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3 Customer Reviews
   Great mag and easy to read mobile version Reviewed Monday, 15 August 2016
This is a great way to read the mag and the new easy-to-read mobile version makes it even easier to read the content on your phone when out and about.
   Xperia play Reviewed Friday, 23 November 2012
Very good, but needs to be a mobile edition, bigger text and what not. Also it would benefit from hardware controlls. But all in all very good and affordable.
   awesome Reviewed Friday, 23 November 2012
great app! i can buy back issues and take all my magazines with me wherever i go. life just got easier :)

Articles in this issue

Below is a selection of articles in MusicTech Sep 2019.

Riding the wave… It’s probably not all that contentious to say that everybody, at some stage in their music-making journey, needs a synth. Whether you’re working on deep, intricate soundscapes, creating poundi...
On your DVD… Synth Sample Special In keeping with this month’s synth theme, we’ve rounded up a killer collection of synth-based samples for you to use and abuse in your tracks. There’s over 1.2GB of 24-bit audio ...
In case you missed it… SUMMER NAMM Summer NAMM is an interesting show from a music-technology perspective, because there are so many smaller, boutique pro-audio brands in attendance. With Nashville’s vibrant recordin...
SHOW OFF YOUR STUDIO This month, we step into Emika’s brilliant and inspiring The Forest Studio, which is an ecoconscious setup based in the outskirts of Berlin… Interviewee Emika Contact facebook.com/e...
SAVE 30% WHEN YOU SUBSCRIBE NOT IN THE UK? Don’t worry – we have some great discounts for our non-UK readers, too! •EUROPE €50 •EVERY 6 MONTHS •AUSTRALIA $76.50 AUD •EVERY 6 MONTHS USA/CANADA $52.50 •EVERY 6 MONTHS INTER...
THE SYNTHS THAT MADE DANCE MUSIC Boiling down the 10 synths that shaped the sound of dance music is a tall order, but it’s a challenge we’re prepared to undertake! Here’s a guide to the beasts that defined the last few decades of dan...
Issue Cover

MusicTech   |   Sep 2019   


It’s probably not all that contentious to say that everybody, at some stage in their music-making journey, needs a synth. Whether you’re working on deep, intricate soundscapes, creating pounding dance music or concocting chart-climbing pop hits, taking advantage of the myriad textures, pads and
leads that the synthesiser provides is a no-brainer.

This month, we celebrate this beloved instrument with a series of linked features, highlighting the history, science and ongoing development of the synth. We speak to Georgia, an artist who wowed Glastonbury with her retro synth-pop stylings; take a trip to Bristol to visit UDO and look at the making of the Super 6, a synthesiser that merges the very best of old and new technology; while Andy Jones delves into the synth’s pivotal role in shaping dance music. We also continue Adam Crute’s Sound Synthesis Masterclass series, this time exploring the science and mechanics of sampling and synthesis.

Aside from our synth focus, we also have a fantastic interview with The Prodigy engineer and co-producer Neil Mclellan, who tells the inside story of the making of their classic record Music For The Jilted Generation. We also speak to MPG Breakthrough Engineer Of The Year 2019 Dani Bennett Spragg about her incredible career to date and her best-practice advice. Later, we experience the mind- (and ear-) blowing wall of sound that is James Murphy
and Soulwax’s Despacio sound system.

Our review section this month continues the synthy vibe that runs through this issue, as we get hands-on with Native’s latest iteration of Massive X, have some fun with Modal’s CRAFTsynth 2 and explore the scope of Softube’s Volume 3. I hope you enjoy the issue.
As a subscriber you'll receive the following benefits:

  A discount off the RRP of your magazine
  Your magazine delivered to your door each month
  You'll never miss an issue
  You’re protected from price rises that may happen later in the year
  Money-back guarantee

You'll receive 12 issues during a 1 year MusicTech magazine print subscription.
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