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Digital Subscriptions > Terrorizer Magazine > Terrorizer 278 > MORBID CALES

MORBID CALES

STEEPED IN NATIVE FOLKLORE, UK DEATH/DOOM QUARTET UNCOFFINED HAVE BIRTHED THEIR SECOND UNHOLY BLACK TOME ‘CEREMONIES OF MORBIDITY’. TERRORI ZER SPEAKS WITH VOCALIST KAT “SHEVIL” GILLHAM TO HEAR HOW IT ALL CAME TOGETHER

UNCOFFINED

What did you want to do differently on ‘Ceremonies Of Morbidity’ than on your debut album ‘Ritual Death And Funeral Rites’?

“Not much really, we didn’t really set out to do much differently! We recorded the new album exactly the same way we did the first album, the drums, bass, rhythm guitars were all recorded live with second guitar tracks, lead parts and vocals done separately over two extra sessions. I guess two significant differences are that the five new songs on the latest album are much longer and more epic than the songs on the debut, with each song being over ten minutes long, one song ‘Plague Of The Uncoffined’ is just under fifteen minutes long and is the longest song we’ve written to date – it’s our doom/death ‘Rime Of The Ancient Mariner’! But that’s just the way the new songs turned out. They were not forced and we didn’t write long songs for the sake of it, they just flowed out that way. Another notable difference is that Bri Doom who produced and mixed the new album spent much more time on the mixing; it took three mixes before we were completely satisfied. We mixed it with an album in mind. Our debut album was initially never meant to be an album so was mixed more demo-like in a few hours maximum. The mix for the new album took around eighteen hours of work over a matter of weeks”

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About Terrorizer Magazine

The first time I saw Kreator was at a venue in Birmingham called Goldwyns. It was around the time they had just released ‘Coma Of Souls’. Death were also on the bill mysteriously without Chuck, but that was another story. It was 1990 and even back then, Kreator were one of the best thrash bands out there, having already honed their craft on some of the most extreme (and now classic) releases such as ‘Extreme Aggression’. Writing this editorial at the arse end of 2016, Kreator will welcome in 2017 with another stonkingly awesome thrash metal record that once again shows you can’t keep an old dog down. Mille and crew sound as vital now as they ever did in their youth and it’s a pleasure and an honour to have them grace our cover. I hope you enjoy reading about their new album and what keeps the German tank pummelling forward. Elsewhere this issue feels like a great mix of the old and new guard of extreme music gracing these hallowed pages – and what brings them all together is the quality of the music everyone is creating. Some seriously good records are coming out right now and a New Year is only just beginning! Looking ahead, it’s safe to say 2017 will continue to be a strong year for music and we look forward to traversing through the best of it with you. Until next time! Adios Darren Sadler
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