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Primers and coloured grounds \

Graham Webber

Beyond Cymbeline, oil, 141⁄4x153⁄4in (36x40cm).

The subtle warm coloured ground balances the blue greys and provides warmth and life to an otherwise grey painting. Titanium white, ultramarine blue and burnt sienna were the only colours used in this painting

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The Artist
April 19
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The Artist
WELCOME from the editor
Email me at theartistletters@tapc.co.uk, or visit our
PLUS
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
Letters, emails and comments
ART BOOKS
Making & Marketing a Successful Art & Craft
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
FEATURES
Colour and order in the landscape
Felix Rowe discovers how landscape artist and illustrator Jonathan Chapman developed his distinctive Edward Hopper-inspired style for his acrylic and ink paintings
The role of artist-in-residence
As he prepares for a year as artist-in-residence at Munnings Art Museum, Roger Dellar provides an insight into what he will be painting, the benefits to the artist of taking a residency and shares his tips on how to apply for one and carry it out successfully
Working with partners
Self-promotion is key to selling your work, and working with partners is a great way to facilitate this, advises Mark David-Hatwood, as it benefits both parties
PRACTICALS
Conserve the light
Hazel Soan describes various methods and techniques for conserving the white paper in your watercolour paintings
Capture lively harbour scenes
Continuing her new series, Jenny Aitken shows you how to simplify a harbour scene for a painting full of light and colour
New approaches to drawing
Robert Dutton reveals how adopting a new approach to your work using expressive drawing media and techniques can result in positive benefits
Paint a selfie
Ian Sidaway demonstrates how he painted his self portrait using a limited palette in watercolour
Silky smooth colour
Liz Seward finds Caran d’Ache Luminance 6901 coloured pencils the perfect medium for depicting a found still lif
APRIL
GeoffHunt begins a new series in which he shares the results of his plein-air painting forays throughout the seasons
A process of elimination and interpretation
Kevin Scully demonstrates how to paint from a photograph without diminishing the integrity of your painting
The lower limbs and feet
Ruth Buchanan describes the main feet forms found in animals and shows you how to draw them correctly
Three-part paintings
Follow Paul Talbot-Greaves and take a loose approach to paint these colourful boats, in three easy parts
Buildingscapes in pencil
Paul Riley urges you to consider drawing buildingscapes, and offers his advice and tips for equipment to take with you and techniques to use
Expressive landscapes
Use strong clean colours and energetic marks to create eye-catching acrylic landscapes, with Marie Antoniou
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Painters Online editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
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