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WAT ERCOLOUR – PLEIN-AIR AGAINST THE ODDS: 1ST OF 4

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The Artist
August 2018
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Other Articles in this Issue


The Artist
WELCOME from the editor
Email me at theartistletters@tapc.co.uk, or visit our
NEXT MONTH IN The Artist
Winner of The Artist Award in last year’s Royal Society
PLUS
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
OPEN Studios
• Studios, homes, galleries and shared spaces will
WORKSHOP
Learn how to compose a landscape with trees in watercolour
Art Festival
A great line up of artists will be appearing at the
Summer FUN
• Enjoy the Dulwich Picture Gallery gardens this summer
ART picks
Over 70 paintings by the artist, Samuel John Lamorna
YOUR VIEWS
Letters, emails and comments
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
PAINTERSONLINE
Georgina Potter reveals the inspirations behind her passion for painting and provides useful insights into her working methods
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
Private views
Private view’ is the name of the party a gallery throws
FEATURES
Flower power
Caroline Saunders talks to Vivienne Cawson, whose floral compositions evolve organically to capture a moment in time, using the unpredictable effects of watercolour
Wonder, dreams and memories
Susie Hodge talks to Lara Cobden, winner of The Artist Award in the 2017 Society of Women Artists’ annual exhibition
PRACTICALS
Tonal impressionism
Using her Five Steps to Watercolour technique, Amanda Hyatt shows you how you can apply tonal impressionism to any subject to imbue your work with passion, drama and light
How to create a successful composition
Why do some compositions work but not others? Jenny Aitken shares her method for creating a flow within a painting
The full portrait
To bring her series to a close, Ann Witheridge explains how to develop a full portrait, with tips from Archie Wardlaw on how to avoid some common compositional mistakes
Loosen up with acrylics
In the first of two articles on using ‘acrylics the watercolour way’, Barry Herniman demonstrates how to use some acrylics with water for a more fluid approach
Spray-on expression
Robert Dutton reveals his secrets for successful mixed-media paintings using acrylic spray paints
Rethinking the sketch
Having realised he needed to reinvent his style, Martin Kinnear set himself on a quest to find a fresh approach to his work. This month he shares his thoughts on sketching and finding inspiration
The art of story telling
Jo Quigley offers tips for finding subjects and using figures to tell a story in your painting, and demonstrates a simple narrative in acrylics
Wild flowers
Paul Talbot-Greaves demonstrates how to paint wild flowers in acrylics in just three main parts
The advantages of water-mixable oils
Having experimented with water-mixable oils, Paul Riley shares his findings and offers some tips and suggestions for painting with this medium
Colours for trees
Julie Collins advises on possible colours and colour combinations for trees, both traditional and imaginative, with tips on how to plan and paint them
Atmospheric street scenes
Robert Brindley advises how to use diffused, close-toned washes to simplify detail and create mood and atmosphere, and demonstrates the technique with a watercolour street scene
JMW Turner
Each month Glyn Macey looks at the work of a great artist, and demonstrates a painting in their style for you to follow. This month he paints a Turner-inspired sunset in acrylic
COMPETITIONS, NEWS & OFFERS
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The Artist PAINTERS ONLINE in association with Great Art
SUMMER SKETCHING COMPETITION 2018 with projects set by Adebanji Alade
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