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OSBORNE STUDIO GALLERY

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The Artist
May 2023
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Other Articles in this Issue


EDITORIAL
WELCOME from the editor
Want to comment on something you’ve read, or seen?
The Artist
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
STAR LETTER
Abstract landscapes Thank you, Shirley Trevena, for your
FLORIS FINE ART
THE GALLERY AT GREEN & STONE
The Hilliard Society WORKSHOP
Michael Coe The Girl with the Blue Pendant,
RBSA GALLERY
Dating back to 1814, the Royal Birmingham Society
Grahame Booth WEBINARS
Tickets are available for Grahame Booth’s Simplifying Shadows
BROADWAY Arts Festival
June 9 to 18
Anne Redpath and her circle
THE GRANARY GALLERY
FEATURES
Portraits with empathy
Susie Hodge talks to Susanne du Toit about her passion for portraiture and her series of paintings of female authors and editors
Susanne du Toit: IN CONVERSATION with Susie Hodge
Susanne du Toit’s A3 coloured-pencil sketch for Juliet
Painting in rome
Rome is an architectural masterpiece with an intoxicating mix of classical ruins, extravagant Baroque churches and fountains, and glorious Renaissance palaces. These historical landmarks are normally bathed in a special light in June.
MONEY MINDSET
THE ARTIST’S LIFE: 5TH OF 12
CASE STUDY: ANGIE SPENCER
Q: As a professional working artist, are you
Exhibitions
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
OBSERVE AND EXAGGERATE
‘Travel with joy!’ and make your observations count advises Mike Barr
Opportunities & Competitions
Check out the latest competitions to enter and make a note of important deadlines
WITH NITRAM CHARCOAL
“39!” by Shane Wolf, 75 x 60 cm,
PRACTICALS
Painting Primrose Hill
Be inspired by Peter Brown as he paints the bustle and serenity of one of the most beautiful viewpoints of north London, en plein air, in all weathers and times of the day
All in the sky
DEMONSTRATION Beached Trawler at Hastings
Spring is in the air
DEMONSTRATION Spring Daffodils
WATERCOLOUR landscapes
In this abridged extract from Anyone Can Paint Watercolour Landscapes Grahame Booth demonstrates key techniques for painting successful landscapes in watercolour
London’s iconic bridges
Follow Jo Quigley as she draws on the rich source of inspiration London’s bridges have had on artists through the ages and demonstrates an acrylic painting of her own
Composing landscapes
Careful planning of your painting before you start will reap rewards later. Robert Brindley discusses why good composition and design are essential to the success of all paintings
ROBERT Brindley
u Robert Brindley Sunset on the Zattere, Venice,
Spring greens
Paul Talbot-Greaves demonstrates the importance of choosing the right highlight and shadow colours for capturing the feel of springtime in watercolour
Drawing myself
Using the landscape of his body as his model Randy Klinger reveals how he learnt to love himself through drawing
Interiors at night
In the third of his four articles on painting night scenes, Barry Herniman shows why the Fude pen and Inktense pencils are perfect for sketching the evening comfort of the British pub
All about drawing
To open her new five-part drawing series Clare Lord starts with mark making and shows how a careful choice of tools at the start will influence and inform the way you work in the future
The colour of shadows
Hilary Page opens our eyes to the many colours of shadows and demonstrates how to identify their source
WATERCOLOUR
THE COLOUR OF SHADOWS 1 The white cylinder
What’s in front?
Helen Hanson demonstrates spring landscapes in ink and coloured pencil and finds that her experience as an etcher resonated with this new choice of media
INK & COLOURED PENCIL
Reference photograph MATERIALS • Strathmore Bristol Board 300