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Digital Subscriptions > The Artist > Nov-17 > Skies

Skies

Graham Webber begins a new three-part series on landscape painting with advice on one aspect that affects everything – the sky
Cley Mill on a Windy Day, oil on board, 13x24in (33x61cm).

Light and dark were balanced to support the feeling of depth and recession in the painting

ELEMENTS OF THE LANDSCAPE : 1 OF 3

Graham Webber

is a member of the Royal Institute of Oil Painters and the Institute of East Anglian Artists. He has won numerous awards for oil painting and is

represented by Thompson’s Gallery, Adrian Hill Fine Art, Sarah Samuels Gallery and Peter Barker Fine Art. He has contributed to DK’s Artist’s Painting Techniques book and runs

demonstrations and workshops around East Anglia. He can be contacted at gwebberart@gmail.com. More information at

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About The Artist

Welcome to our November issue in which our highly talented, experienced artist-tutors challenge you to re-think your approach to complementary colours in watercolour, draw a sight-size self-portrait, capture an autumnal scene in watercolour, dramatise your skies, try graphite techniques, use negative spaces to your advantage, paint a light-filled interior in impressionistic style and master perspective for successful coastal scenes. And that's just for starters! Artist-judge in BBC1's The Big Painting Challenge, Lachlan Goudie, shares his experiences of painting Scotland's shipyards ahead of his forthcoming exhibition, Nick Poullis offers tips on setting up your own gallery, Julie Collins advises on colour choices for yellow, Michele Del Campo test reports Winsor & Newton's Artists' Oil Colours, including his top tips for oils painters, and Peter Burgess takes a practical look at materials for painting and how best to store them. Enjoy another inspirational issue packed with ideas and advice for all artists!
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