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WELCOME from the editor

Welcome to our latest issue, packed with features by our talented team of professional artists and tutors designed to inspire, inform and help develop your drawing and painting skills over the summer months. Capture the vivid colour of rapeseed fields with Paul Talbot-Greaves (pages 28 to 29), paint goodenough- to-eat strawberries in acrylics with Tim Gustard (pages 36 to 39); learn more about choosing colours for summer landscapes from Martin Kinnear (pages 49 to 51) and how to paint big summer skies with Jenny Aitken (pages 58 to 59). Also, re-joining our regular artist-contributors this month, I’m pleased to welcome back Aine Divine, who demonstrates how to paint a watercolour portrait in profile, step by step, on pages 20 to 23.

I enjoyed meeting Aine for the first time recently at one of her portrait painting workshops at the beautiful Cockenzie House in East Lothian. I was honoured to be invited to sit for Aine as she demonstrated how she approaches painting a watercolour portrait to her class of students (to be featured in a later issue). Sitting for the portrait gave me first-hand experience of how Aine combines constant observation of her subject with an intuitive approach using brushes, rags, sponges and expressive flicks of colour as she uses the light falling on the subject to reveal the person in front of her. Throughout the demonstration, Aine explained her thoughts and decisions to her students, who were clearly enthralled and inspired as the likeness came to life over the two-hour sitting.

Talking to Aine afterwards, I also learnt more about her 30 Days of Art with Aine, a fun way to inspire artists to let go of any creative preciousness and begin each day with a timelimited drawing or painting, to encourage enjoyment of the process without worrying about the final outcome. Each day Aine provided her students with an online video prompt for a subject to tackle and suggested materials to use, including a self-portrait in mixed media, a face from a photograph, someone asleep, a tree, your hand, an outdoor scene, your feet, a breakfast table set up and a piece of jewellery. The projects finished on day 30 with a side profile similar to the one demonstrated in her article in this issue.

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Summer 19
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THE ARTWORLD
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EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
Patchings Festival of Art, Craft & Design 2019 July 11-14
Patchings Festival of Art, Craft & Design 2019
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OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
ART BOOKS
Trevor Waugh Trevor Waugh is the master of loose watercolours
Image copyright and digital publishing
Mark David Hatwood concludes his series with some advice on what you can and can’t do about copyright infringement and how to protect your images online
FEATURES
James Bartholomew
James Bartholomew’s loose, colourful and dynamic paintings include coastlines, animals, cities and landscapes and are worked in a combination of watercolour and pastel, or acrylic, as Susie Hodge finds out
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Art Club of the Year 2019
A Leisurr Painter&The Artist COMPETITION in association with Patchings Art Centre & Jackson’s Art Supplies
Summer skies and clouds
This month Martin Kinnear focuses on the colour of skies and clouds in landscape painting, but to make it interesting, he’s concentrating on that painter’s curse – fine weather
SUMMER
It’s high summer, and Geoff Hunt is pondering why he’s usually happier with his second piece of work produced during a plein-air session
Develop a sketchbook habit
Jenny Wheatley urges you to make it make it a habit to use a sketchbook. You’ll find it invaluable for recording ideas for future paintings
Big skies
Jenny Aitken shares her secrets for painting big dynamic skies, with advice on how to judge tones and achieve a real sense of light
In the frame
Clare Bowen recommends Jackson’s Handmade Linen Boards, which come in a variety of finishes and sizes, and Jackson’s Ready Made Lime Frames, which work beautifully with the boards
Painters Online editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery
PRACTICALS
Portraits in profile
Follow Aine Divine as she paints a watercolour portrait of her sitter’s profile
Profile portrait of Jim
Whilst painting Hayley’s side profile portrait, and feeling that she was on a roll, Aine Divine asked her photographer to sit for her during Hayley’s breaks
Interesting foregrounds
In the second of two articles on working with acrylics, Carole Baker shows how she uses texture paste to achieve harmony and interesting foregrounds in her landscapes
Rapeseed fields in sunlight
Paul Talbot-Greaves demonstrates how to paint a field of rapeseed in full flower in five simple stages
Fast flowers in watercolour
Trevor Waugh shows you how to paint watercolours quickly by focusing on edges and lost-and-found techniques
Focus on selfportraits
A devastating diagnosis prompted portraitist Mark Fennell to document his 18-week treatment period by painting a self-portrait each week and posting it on social media
Eye-catching strawberries
Tim Gustard has discovered the value of including some bright red juicy strawberries in his paintings and shares his tips for painting realistic-looking juicy fruits using acrylics
Wildlife impressions in pastel
Wildlife artist John Threlfall demonstrates how he uses pastel when working in the field to record an impression of species shape, size, behaviour and colour
Colour choices in painting animals
Ruth Buchanan’s series continues with a look at colour. This month she advises on temperature and tone when making colour choices