CA
  
You are currently viewing the Canada version of the site.
Would you like to switch to your local site?
103 MIN READ TIME

Lord of the Files

INTERVIEW BY ALISTAIR McGOWN
Colin Mapson designed, made and even operated the Drashigs for the 1973 story Carnival of Monsters.

Colin Mapson took an unconventional route to a three-decade career in the BBC Visual Effects Department. “I was a window dresser for Debenhams, the department store,” he says. “I come from Gloucestershire originally. We did a float for Gloucester Carnival every summer and I found I was enjoying the prop-making side much more than the window dressing.

Colin Mapson, pictured in 1998, holding a model he made for Nightmare of Eden (1979).
Photo © Steve Cambden.
Read the complete article and many more in this issue of Doctor Who Magazine
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue DWM Special 43 – Special Effects
 
$6.99 / issue
This special issue is not included in a new Doctor Who Magazine subscription. Subscriptions include the latest regular issue and new issues released during your subscription.
Annual Digital Subscription $74.99 billed annually
Save
42%
$5.77 / issue
PRINT SUBSCRIPTION? Available at magazine.co.uk, the best magazine subscription offers online.
 

This article is from...


View Issues
Doctor Who Magazine
DWM Special 43 – Special Effects
VIEW IN STORE

Other Articles in this Issue


DOCTOR WHO
DOCTOR WHO
In the final episode of Nigel Kneale’s groundbreaking serial The Quatermass
BUILD A ROCKET BOYS!
Picture the scene: a too-close encounter with an alien organism
A Peculiar Effect on the BBC
In the early days of the Visual Effects Department, everything
TRADING STANDARDS
In the earliest days of Doctor Who the BBC’s Visual
MINIATURE Effects
The public has always enjoyed seeing highly detailed miniatures of
COSTUME DRAMAS
Joining the BBC’s Visual Effects Department in 1958, Peter Day
The GOLDEN AGE of CSO
In the hostile jungle of the planet Spiridon, the Doctor
The Ian Scoones Scrapbooks
The most flamboyant designerin the Visual Effects Department – and
The MONSTER CLUB
Before you could watch 45 minutes of Doctor Who Confidential
TINSEL, CLING FILM AND PLASTER DALEKS
Ian Gosling was already a BBC employee when, in early
Plastic Surgery
"I always refer to the BBC as ‘my company’,” says
PHYSICAL Effects
The most common physical effects are probably those connected to
LOGAN'S RUN
I had to go to Wales to blow up a
DOG DAYS
Tony Harding realised how famous K9 had become on a
AFTER EFFECTS
In the 1970s I was a big Doctor Who fan
Demolition Man
Visual effects assistants are some of Doctor Who’s unsung heroes,
SID EEFFECTS
After nearly half a century of operation, the BBC’s Visual
The Next Generation
In the mid-1990s it seemed Doctor Who’s television future lay
Trouble at Mill
Will Cohen’s childhood memories of Doctor Who are typical of
Picture Perfect
"It was incredibly exciting. We were making stuff for TV
MADE IN HEAVEN
Samantha Price remembers how she first heard about Heaven Sent
Axis All Areas
“Doctor Who is different every time. That’s the fun. You
ROLE MODELS
The things that got me into what I do now