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46 MIN READ TIME

Night vision

Checking the Livestock , watercolour, 14x2112⁄ in. (35x55cm). Colours used: cobalt blue, ultramarine, cerulean blue, alizarin crimson gamboge yellow, lemon yellow and sepia.

LEARNING OBJECTIVES

How to inject contrast into your paintings

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Leisure Painter
Summer 17
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Other Articles in this Issue


Leisure Painter
Welcome from the editor
Although a majority of Leisure Painter tutors extol
OFFERS, NEWS AND COMPETITIONS
PAINTERSONLINE and Search Press Competition
PaintersOnline, the online home of Leisure Painter and The Artist, has teamed up with Search Press to offer you the chance to win one of five copies of Arctic Light by David Bellamy worth £25(rrp) each.
IN EVERY ISSUE
Diary
Gain an insight into the origins of some of Quentin
Exhibitions
JANE STROUD RECOMMENDS
Letters
SHARE YOUR TIPS, SUGGESTIONS, IDEAS AND QUESTIONS WITH OTHER READERS
Books
WHAT TO READ THIS MONTH
Art clubs
OVER TO YOU FOR THE LATEST NEWS ON CLUB EXHIBITIONS AND ACTIVITIES
Art club gallery
BEST IN SHOW PAINTINGS
Holidayof themonth
PAINTING IN FRANCE
Online gallery
Jane Stroud’s selection of works from our PaintersOnline gallery
FEATURES
Line and colour
Part 3 Using water-soluble coloured pencils, develop your skills and fluency as you learn five techniques to add colour washes to ink and graphite sketches, with Tim Fisher
Garden performance
Worried about taking the next step and painting outdoors? Sit in your garden to paint, suggests Steve Strode
Painting project
Part 1 How to draw the complicated subject of a harbour scene, in preparation for next month’s acrylic painting, by Paul Alcock
Facial awareness
Focusing on three essential features – and colour – Hazel Soan demonstrates how to paint lively portraits in watercolour
From photo to painting
Part 8 Put into practice everything you’ve learned from Elena Parashko’s series as you produce this striking painting from five photographs
An acrylic view
Part 3 Make the most of your acrylics as you follow Tony Paul’s guide to using three essential approaches to painting
A walk on the moor
Summer Follow Tony Hogan step by step as you practise acrylic painting techniques for breezy summer landscapes
Close encounter
Part 2 Complete your portrait of an owl in all its magnificent detail, with Paul Hopkinson
Late spring on the riverbank
Richard Nichols visits the beautiful Canal du Midi to paint an iconic scene of life on the water using a limited palette
Don’t be shy!
Michael Fenner offers hints and ideas to take your painting to the next level
Botanical for beginners
Achieve a high level of tonal variation, complex highlights and deep shadows with this larger-than-life botanical study of a purple bearded iris, by Jarnie Godwin