Garbers Days Revisited
RELAPSE
Sludge-laden Virginians cover themselves in reflected glory
Richmond’s Inter Arma used to practise in a Garber Street building and this play on one of music’s most renowned cover records bodes well for the creation of their own influence-saluting homage. The lineage between the selected inspirations and the scathing death/sludge/black/post-metal Inter Arma are known for may make little sense initially, but the twisting, thunderous stomp given to Neil Young’s Southern Man and the evisceration of the second half of Tom Petty’s Runnin’ Down A Dream reveal an adeptness at transforming wide breadths into their singular own. Despite being far more faithful to Ministry, Venom, NIN and, shockingly, Prince’s Purple Rain, which is pulled off with full marks, Garbers Days Revisited goes the distance in splaying out origins and uniqueness.