Last year, in case you didn’t notice, those “hands that threaten doom”, which Iron Maiden’s Bruce Dickinson once sang about, inched 10 seconds closer to midnight. The Science and Security Board of the Bulletin of the Atomic Scientists, the people who created the Doomsday Clock back in 1947 to gauge how close humanity is to destroying the world, reset the minute hand for the 25th time since its creation, moving it closer to the hour than it has ever been. So the prospect of imminent global catastrophe is now ever more pronounced, which, to be honest, is something of a bummer.
“We are approaching the end of an era. So let’s have a good time.”
It was with these equally doom-laden words that Papa Emeritus IV, Ghost’s puckish frontman, welcomed the faithful to the Kia Forum in Los Angeles on September 11 last year, for the first of two ‘rituals’ bringing the Re-Imperatour U.S.A. 2023 tour to a close. For those in attendance, the weight of those words hung heavily in the air.
In February last year, news that a second night at the 17,500-capacity venue had been added to the end of the Swedish band’s tour schedule, after the first show sold out, was delivered in Chapter 16 of the occult rock collective’s web series. The episode, titled Tax Season, was accompanied by a message from ‘The Clergy’ stating, “We wish to inform you that in this world, nothing is certain except death and taxes.”
The clip itself featured none-too-subtle hints that Papa Emeritus IV may not be long for this world; at one point, while he’s playing a retro racing video game, he’s distracted by the sight of a glass coffin being wheeled past his door, and when his attention returns to his TV screen, the words ‘Game Over!!!!!!’ appear. In Ghost world, where every symbol is scrutinised to the nth degree by the faithful, this was interpreted as a warning that the writing was on the wall for this Papa in the City of Angels. And when it was revealed that the group’s two night-stand at the Forum was to be filmed for a future film release, with all phones to be confiscated from patrons upon entry, we feared the worst.
Hammer duly dispatched Associate Editor Dave Everley to Los Angeles to bear witness to what promised to be the gravest chapter yet in Ghost’s evolution. At the conclusion of the second night at the Forum, however, Papa IV – “channelling the ghosts of Freddie Mercury and vintage Willy Wonka”, Dave noted –was still standing, indeed dancing… but there was a lingering suspicion that there was more to be revealed.
Then, on May 1 this year, came anew message: the announcement that Rite Here Rite Now, Ghost’s debut feature film, chronicling the events in Los Angeles, would be screened in cinemas worldwide on June 20 and 22. And those studying the minutiae of the film poster observed that the letter ‘o’ in the final word of the title had been substituted for an analogue clock, its hands positioned at –and you might be ahead of us here –two minutes to midnight.
Well, well, well…
"The Doomsday Clock is not an actual clock –it’s more of a measuring tool for us to understand how near we are to fucking things up. But it’s not like a timer on a bomb, and that means that we can still change things around. And this film is a little bit about that, about turning around and changing your ways, even if it’s just your attitude towards things.”
Everything Ghost do is BIG. We expect no less from the film
PRESS: RYAN CHANG
The real world time is 6:30pm (BST) on May 9, and an email has just informed us that ‘Mary Goore’ has joined our Zoom call from Stockholm. Those familiar with Ghost’s pre-history will be aware that this was Tobias Forge’s stage name in both his death metal band Repugnant and his glam metal outfit Crashdïet, and though he chooses today to keep his camera off, the voice on the call is unmistakably that of Ghost’s 43-year-old leader. The trailer for Rite Here Rite Now premiered exactly four and a half hours ago, and as far as Tobias can ascertain, it’s been “well met” so far, the only “concerns” he has noticed to date being raised by fans worried that the film has not yet been booked into picture houses in their homelands.
“WAS THE STORY OF GHOST GOING TO BE MY STORY? NO, FUCK THAT”
“The film is being distributed in many countries, but not all,” he explains, “so I understand that there were some voices that felt like we’d overlooked this or that country. It’s like when you announce a tour, and immediately get, ‘Why aren’t you coming to… [insert country name]?’ That wasn’t our decision, I can’t tell you why, it’s just that some countries didn’t want the film, or whatever.”
Officially, the first seeds for Rite Here Right Now were planted in Tobias’s mind “over a decade” ago.