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Digital Subscriptions > MusicTech > Dec 17 > DYNAMOUNT X1-R £699

DYNAMOUNT X1-R £699

With DynaMount’s pioneering robotic microphone positioning, our gear now responds intelligently to our commands. Matthew Mann is in position…

Studio life is replete with daily challenges that can turn even the most hardened engineer grey. Finding the right mic for a young diva’s lead vocal, pampering a guitarist’s bruised ego when he can’t quite nail the last bar of his solo, having to make a custom cable on-the-fly so the keyboardist’s homemade synth can be patched in for recording… these are all challenges that can greatly disrupt the flow of a recording session. And if the engineer doesn’t have the luxury of an assistant, the last thing they want to do is run back and forth between the control room and live room moving a microphone three quarters of an inch to nail that perfect tone before the guitarist forgets the part. With that in mind, Jon and Mike Russo at DynaMount have come to the rescue by developing a line of robotic assistant engineers to help out. They call them Remote Microphone Positioners (RMPs) and they are a huge timesaver in the studio.

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Remote Microphone Positioners

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About MusicTech

Making music is an expensive pursuit. From monitors to microphones, DAWs and plug-ins: before you know it, just getting your creative space in order has made a serious dent in your bank account. But it really doesn’t have to be this way. In Andy Jones’ in-depth cover feature this month, he dives head-first into this ocean of free software, highlighting the best of the best and detailing how to use it effectively to build a track – for free! Elsewhere this issue, we’ve got the first in a new A-Z series, detailing some of the oft-used, key terms that you’ll likely hear and need to understand in the music-making world. Alongside all this, we’ve got our usual range of reviews, tutorials, tips and a complete guide to the vast high-tech world of controllers. We’ve also, very excitingly, teamed up with the best studio in the world with this issue’s free Abbey Road calendar. We hope you enjoy the issue.
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