Penny German
Pakistani Plums in a Bowl, oil on panel, 221⁄2x161⁄2in (57x42cm) A photo box painted black on the inside makes for dramatic shadows
Still life, or the painting of inanimate objects, has been subject matter for painters throughout the centuries and has served many purposes including allegorical and religious symbolism as well as expressing wealth. It allows the painter more freedom in the composition of arrangements than with landscape and of course can be entirely studio based. As with most genres, for the painter, the subject matter of greatest importance is the light. In order to make a good still-life painting, the set-up (including the lighting) and composition is crucial. If these are not considered carefully and unhurriedly, the painting will be dull and not hold the viewer’s attention.