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WELCOME from the editor

Sally Bulgin Publishing Editor

Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk or visit our website at www.painters-online.co.uk/forum

With new social restrictions and possibly more on the way this winter, our thoughts turn again to strategies for staying resilient and cheerful. Making life more bearable is all about identifying what we care about, the values we hold dear and doing what’s important to us. For The Artist readers this might include trying new subject matter, different media, joining an online workshop or course, or perhaps committing to the routine and discipline of preparing work to enter a competition. And what better combination of all these things than to support and enter next year’s David Shepherd Wildlife Foundation’s Wildlife Artist of the Year competition - the biggest fund-raising event for their conservation work in protecting endangered species across Africa and Asia (see page 62 for full details).

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The Artist
December 20
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Other Articles in this Issue


Autoretro
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
THE ART WORLD
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
TALP OPEN PEOPLE’S CHOICE
This year’s selected entries from the TALPOpen competition
ROI
The annual exhibition by The Royal Institute of Oil
PaintersOnline Christmas Fair
PaintersOnline will be bringing Christmas to you with
ART clubs
•The Epsom and Ewell Art Group’s Christmas exhibition
Art & Action
Watts Gallery - Artists’ Village Down Lane, Guildford
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND ExHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery
FEATURES
Sensory landscapes
Annie Boisseau, winner of The Artist Award at the 2019 Royal Society of British Artists’ exhibition, talks to Susie Hodge about inspiration, colour and light
How to use video to promote your art
Sarah Edmonds continues her series with advice on how to create videos at home and post them online, together with top tips for filming and equipment recommendations
PRACTICALS
Aerial perspective in watercolour
Paul Weaver reveals the key techniques he uses to achieve aerial perspective, focusing on tonal recession, colour temperature and edges
A great combination
Liz Seward recommends working with coloured pencil over watercolour. Be inspired as she demonstrates a still life in a combination of these media
Perfect pet portraits
Paul Talbot-Greaves offers some great advice for painting a pet using acrylics, with tips on lighting, background and how to obtain a good reference photo
Paint lively street scenes from photographs
What do you do when you’re not able to paint in situ? You work from photographs, says Adebanji Alade, who shares his techniques for painting vibrant urban scenes using diff erent media
DEMONSTRATION Summer Light, Oxford Street
For this painting I used gouache, which is such a wonderful medium, very forgiving and it produces some of the purest and brightest colours when mixed
Techniques for great skies
Tony White shares his methods for painting successful skies that will establish the mood and atmosphere of your watercolour paintings
Self-portraits from life
Kathy Barker demonstrates a self-portrait in oils as she takes you through the materials you’ll need, setting up and the painting process
Line and wash
Try your hand at line and wash paintings with Milly England. Here she recommends nibs and inks to use and shares her tips for adding the wash
The individual in the crowd
Let Carl Knibb inspire you to paint a narrative with figures moving through a cityscape
Subject selection and composition
Nicholas Poullis begins a new series in which he explains how to create a watercolour painting from conception to finished picture. His first article tackles composition and subject selection
The sky at night
Becky Thorley-Fox recommends dusk and night-time plein-air painting and demonstrates, with tips and advice, how to capture glowing hues and moody skies in oil
Winter buildings
Julie Collins brings her current series to a close with some ideas for modifying your colours for watercolour paintings of winter buildings