Kevin Scully
Jenny’s Boots, gouache, 13 × 9in (33 × 23cm).
When we think of a still-life painting the first thing that springs to mind is a grouping of objects together in a table-top set up. Whilst there is nothing wrong with this type of composition, it’s worth considering some other ideas.
So, rather than arranging your objects in a traditional way, think more about alternative and quirky viewpoints. Experiment by pushing the boundaries – view your composition from above, either directly over the objects, or at a slight angle. Even mundane objects take on an extra dimension when seen from an elevated position. A slightly more abstract painting can be produced when thinking outside the box.
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About The Artist
Enjoy developing your skills and techniques with The Artist. Written by artists and top tutors, for experienced amateur painters and aspiring professional artists, this month's issue offers stage-by-stage demonstrations, illustrated tips and techniques for drawing and painting in watercolour, pastels, acrylic, mixed media, oils and gouache. Learn new techniques for painting winter landscapes, characterful portraits, still lifes, spring flowers and animals. There's also an article encouraging you to step out of your comfort zone to paint unfamiliar subjects and an interview with Professor Christopher Orr MBE, RA revealing his approach to his unusual subject matter and working methods. Plus our marketing expert advises on how to use apps to facilitate your social media posts to help get your work noticed. And when you've completed your best work, why not enter it into our 2019 Open competition for the chance to see your work exhibited, published and win one of over 40 fantastic prizes! Full details are on pages 12 to 13 . Enjoy!