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My kid could paint that...

Mike Barr muses on why some uninspiring works (no names mentioned) command attention and high prices just because of the signature
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The Artist
March 2022
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In This Issue
WELCOME from the editor
Publishing Editor Want to comment on something you’ve
Next month in the artist
FEATURES IN CONVERSATION Be inspired by winner of
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PaintersOnline editor’s choice
Meet this month’s editor ’s choice winner from our PaintersOnline gallery
DIGITAL ISSUE EXTRA CONTENT
Barry Herniman The First Rays of Sun,
PLUS THIS MONTH
STAR LETTER
LETTERS, EMAILS AND COMMENTS
THE ART WORLD
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
FRESH EYES THE PASTEL SOCIETY
Martin Goold Full Moon, Cobb II, coloured pencil,
DÜRER'S JOURNEYS
Dürer’s Journeys: Travels of a Renaissance Artist continues
LIFE WITH ART
Benton End and the East Anglian School of Painting and Drawing
Sky Arts Portrait Artist of the Year
Maurizio De Angelis Sunday Afternoon, oil and gold
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
ART BOOKS
Painting the Mountain Landscape Eileen Clark Books on
FEATURES
A loose approach to portraiture
Tim Benson, president of the Royal Institute of Oil Painters and winner of The Artist Award in last year’s ROI annual exhibition, talks to Susie Hodge about his expressive and emotive oil portraits
PRACTICALS
Glorious night scenes
Capture the lights and colours of night scenes with advice and tips from Jenny Aitken as she demonstrates a sparkling city scene in acrylics
Explore partial abstraction in your art
Be inspired to depart from reality by following Haidee-Jo Summers as she develops a semi-abstract oil painting from a still-life set-up
Dynamic storytelling with ‘patch-quilt’ painting
Discover how to use Steve Griggs’ ‘patch-quilt’ watercolour technique and follow him as he paints a colourful landscape
DEMONSTRATION Taking Flight
STAGE ONE I began by using a flat
Portraits with character
David Thomas demonstrates how painting a portrait from an unposed photograph can capture character and have a charming informality
Be a hunter-gatherer
Sky Landscape Artist of the Year finalist Clare Lord reveals her strategies for collecting information to ensure she keeps the plein-air life in her painting during the winter months
Brushes for watercolour
Ian Sidaway offers his personal guide to choosing watercolour brushes to suit your way of working, from large flat washes to special textural effects
Try gyotaku
Amanda Hyatt explains and encourages you to try the gyotaku art form – the Japanese method of printing painted fish onto rice paper – and shares her tips for achieving a successful outcome
The three-primary palette
COLOUR PALETTES FOR BETTER LANDSCAPES: 1ST OF 3
Oh for snow!
Follow Barry Herniman as he paints winter snow scenes in watercolour
How to avoid muddy colours
WATERCOLOUR PROBLEM SOLVER: 3RD OF 3
Capture the energy of the sea
Becky Thorley-Fox demonstrates how she captures rolling and crashing waves and the moods and atmosphere of coastal scenes in oil
Raise your profile
In the second of three articles on forging a second career in art, Sky Arts Portrait Artist of the Year finalist Sally Ward discusses how to get your work seen by a wider audience and raise your profile as an artist
HOW TO GET STARTED WITH DIGITAL ART?
Sarah Edmonds continues her series on digital art and what it has to offer. This month she reports on how digital tools can be used to enhance and promote your work