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May-17
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THE ART WORLD
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24 MIN READ TIME
THE ART WORLD
compiled by Deborah Wanstall
Pablo Picasso (1881–1973)
Harlequin with Mask,
ink and coloured chalks on paper, 91⁄2
×
7in (241
×
8cm)
RBSA exhibits new works in Rye
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May-17
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WELCOME from the editor
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Letters, emails and comments
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
FEATURES
Ingredients for a portrait
Caroline Saunders talks to Henrietta Graham about her personal project to paint distinguished chefs, and aim to tell a story in her detailed compositions
Constructing the scene
Lewis Chamberlain’s thought-provoking photo-realistic drawings and oil paintings are often of children’s toys in domestic interiors. He reveals the ideas and techniques behind his work to Susie Hodge
Artist and gallery a modern partnership
Mark David Hatwood considers the exceptionally difficult area of artist/gallery etiquette in the modern internet age
Get over it!
Rejection from exhibitions and competitions can be crushing but, as Adebanji Alade explains, you need to get over that feeling of rejection and move on. His words of heart-felt encouragement will help to get you back on your creative track
PRACTICALS
Keep it loose
Lea Nixon shows you how to paint a loose watercolour landscape that’s full of light and atmosphere
A view from above
Jo Quigley demonstrates how to create an exciting composition in acrylics by taking an aerial viewpoint
Measured drawing
Measurement is a device to help you see more objectively, says Philip Tyler, who shows you some methods for measuring the figure
INSPIRED BY… Rauschenberg
This month Glyn Macey urges you to feel the inspiration of Robert Rauschenberg as you paint an abstract harbour scene in acrylics
Self-portraits and how to catch a likeness
In the first of three articles on how to paint faces and portraits in a direct, lively and fearless manner Hazel Soan demonstrates three quick self-portraits in watercolour
Value and chiaroscuro
Martin Kinnear begins a new series aimed at practising and improving oil painters. This month he explains the importance of value and chiaroscuro
Recognising the end
In the penultimate article in his series, Charles Williams advises on how to overcome the desire to carry on when you reach the final stage of your painting
Layers and brushstrokes
In his second article, Jake Winkle aims to build your knowledge of watercolour applications with advice on washes, the layered and one-touch approach, dry brush and wet-in-wet techniques
Watercolour or gouache?
Gouache is not just for rescuing a lifeless watercolour by painting opaque layers over muddy washes, says Robert Dutton, who explains how you can use both media to paint expressive landscapes
Pattern in still life
Penny German explains how to use pattern in your still-life paintings, what to consider and how to put it all together for dramatic effect
How to draw the head
Learn how to draw the head by understanding its anatomy with this extract from The Complete Guide to Anatomy for Artists and Illustrators by Gottfried Bammes
Mixed Media, Watercolour & Pastel Techniques with Carole Baker at Patchings Art, Craft & Photography Festival in Nottinghamshire, Friday, July 14, 2017
Organised by The Artist and Leisure Painter in association with GreatArt, one of the UK’s largest online art materials’ suppliers, who will provide each student with over £90(rrp) of materials for each session
THE A-Z OF COLOUR
Julie Collins explains relationships, the most important aspect of the theory of colour
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