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November 18
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Melodie Cook
Sam at 19
, pastel, 37x271⁄4in (94x69cm), winner of
The Artist
Award 2018 at The Pastel Society’s annual exhibition. See right for details of how to enter next year’s exhibition
Sending-in days
Chelsea Art Society
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The Artist
November 18
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Other Articles in this Issue
The Artist
WELCOME from the editor
This summer I had the pleasure of visiting an amazingly
PLUS
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
The Hepworth Wakefield
Regular readers might remember my fixation on the recent
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Enjoy over 1,000 pages of inspiration, artistic insight
Some of the best art course and holiday providers in the UK and abroad
Some of the best art course and holiday providers in
FEATURES
Glowing light and intricate details
Susie Hodge talks to Lucy McKie, winner of The Artist Award in last year’s Royal Institute of Oil Painters’ annual exhibition, about her portraits and still-life paintings
PRACTICALS
Pastels en plein air
David Allen describes what he looks for in a subject and demonstrates an autumn landscape in pastels
A celebration of female artists
To celebrate this year’s centenary of women’s suffrage, the first female president of the Royal Watercolour Society, Jill Leman, asked some of the other female members to share their top tips about painting, framing, submitting work for open exhibitions, and all things about being an artist
The trees of autumn
After a summer of mixing greens Ian Sidaway enjoys
How to paint glass
Tim Gustard guides you through the process of painting
Coastal waters
Alan Runagall offers his tips for painting the sea and sky as he demonstrates a coastal scene in watercolour
The drama of the coast
Chris Forsey says it is amazing what can be achieved with just two or three colours as he demonstrates a dramatic coastline in mixed media
Paint a pumpkin
Paul Talbot-Greaves extolls the benefits of making study paintings as he demonstrates a pumpkin in watercolour in just three main parts
Creative textures
Soraya French demonstrates how to use gel mediums in your acrylic paintings to create exciting textural effects
In the wet
Geoff Hunt’s final plein-air challenge is to paint in the rain, in watercolour
Go with the flow
Don’t bin your mistakes, embrace them by adopting Robert Dutton’s radical approach and redeveloping them into mixed-media paintings with collage
Line and wash
Barry Herniman shares his enthusiasm for this technique as he demonstrates a painting and advises on materials
Limited palettes for still life
Julie Collins explores some limited palettes to use for still-life subjects and urges you try your own colour combinations
David Bomberg
Glyn Macey demonstrates a landscape inspired by one of David Bomberg’s iconic views for you to follow
Reinforce the focal point
Yael Maimon demonstrates different ways to reinforce the focal point and create a visual path that leads the eye to the centre of interest in your composition
A style of your own
Bob Brandt reassures you that it is inevitable that you will eventually develop a style that is unique to you as he demonstrates a city scene in oil
OPPORTUNITIES, NEWS&OFFERS
Painters Online editor’s choice
Meet this month’s The Artist editor’s choice from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
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