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Digital Subscriptions > The Artist > Oct-17 > Still life with violin

Still life with violin

Adele Wagstaff says that musical instruments make a beautiful subject, and demonstrates a still life of her violin

Instruments have inspired many artists through the centuries; their sensuous and rhythmic shapes have provided painters with a fascinating and challenging theme. In Caravaggio’s paintings we see many beautiful instruments and also in the work of Chardin, Vermeer and Holbein.

Musical instruments have long featured in my work, whether being played during rehearsals or used as a still-life subject. The beautiful shape of the stringed instruments hold a particular fascination for me and, as a violinist, my own violin has featured in a number of still-life pieces, either as sole subject or placed alongside other objects.

Adele Wagstaff

trained at Newcastle University and the Slade School of Fine Art. She has taught in Belgium, Germany, Italy and the UK, including West Dean College, Putney School of Art and Design, Slade School of Fine Art and Royal Academy of Arts. Adele has been shortlisted for the Jerwood Drawing Prize and the BP Portrait Award, and her work has been exhibited in the National Portrait Gallery, Discerning Eye, Royal West of England Academy and the Royal Society of Portrait Painters. Adele has published two books: Still Life Painting in Oils (2012) ISBN 9781847973139 and Painting the Nude In Oils (2015), ISBN 9781847979056, both published by Crowood. www.adelewagstaff.co.uk

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About The Artist

Welcome to the first of our new standard 80-page magazine, packed with even more inspiring practical articles to help you to improve and enjoy your own drawing and painting. In addition, this month we also include your free 16-page supplement with details of some of the best art courses and holidays available to inspire and inform your creativity, whatever your level or years of experience. So, whether you love working in watercolour, oils, pencils or acrylics, take your work to the next level with our team of passionate artist/tutors including Judi Whitton on how to use body colour in your watercolours, Haidee-Jo Summers with some useful exercises to help you loosen up in oils, Mike Barr's beachscape demonstration, Paul Talbot-Greaves on how to start with a watercolour mess and end in success, Peter Graham on why the rose makes such a wonderful subject for still-life paintings, Robert Dutton on mastering perspective for city scenes, and Peter Burgess with tips on composition and the Golden Section, to highlight just a few articles in this issue. Plus, there's so much more to guide and inspire your artistic development within our new 80-page issue - enjoy!
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