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October 18
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Still life
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22 MIN READ TIME
Still life
THREE - PART PAINTINGS
Paul Talbot-Greaves
Green Apple,
acrylic on Canson Acrylique 400gsm paper, 7x7in (18x18cm).
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The Artist
October 18
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The Artist
WELCOME from the editor
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NEXT MONTH IN the artist
IN CONVERSATION Lucy McKie, winner of The Artist Award
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
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PAINTERSONLINE and Barry Herniman Cloverleaf Paintbox Competition
PAINTERSONLINE and Barry Herniman Cloverleaf Paintbox
Painters Online editor’s choice
Meet this month’s The Artist editor’s choice from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
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OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
ART BOOKS
This revised edition of Giovanni Civardi’s 1995 original
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
FEATURES
Seven go painting in Havana
Peter Brown shares his experiences of leading a reader painting holiday to Havana, and reveals the content of his travelling painting kit
Layers of time and meaning
Jeremy Gardiner’s abstract compositions are based on his observations of the natural environment and, as he tells Susie Hodge, he builds his work in layers, almost like the rock formations he is depicting, using heavy-body acrylics
Why do we make paintings?
I am in the throes of a PhD at the moment. Anyone who
PRACTICALS
Painting the seasons
Lucy Willis shares her ideas for a series of seasonal watercolour paintings and offers tips and advice for working from photographs
Arranging objects and using colours
Yael Maimon’s series on successful composition continues with advice about placing objects and using colour to achieve maximum effect, including combining photos and the Rule of Thirds
Colour mixing in oil
Sarah Spackman offers advice on colour mixing using oils paints, stressing that observation and cleanliness are the keys to success
Gouache in the landscape
Gouache can be used as both a transparent and opaque medium, and on a variety of supports, as Kevin Scully demonstrates
Painting the lakes
Following on from last month’s article, Ian Sidaway makes four watercolour paintings using his on-site reference material
Pulling it altogether
In the final article in this series, Martin Kinnear describes how, in trying to rediscover a part of his past, and a new way of painting, he discovered the secret of achieving his aim
Unpromising days
Geoff Hunt conquers yet another plein-air painting challenge. This time he’s making the best of those grey days when the light is flat and the scene unpromising
The wonders of wax
Camilla Clark demonstrates how to achieve luminosity and texture using cold wax and water-soluble oils
The value of monochrome
Paul Riley explains why making monochrome landscapes will help you to understand tonal relationships
Realistic greens
If you try to avoid the challenge of mixing your greens you are missing out on some amazing colours for your paintings, says Julie Collins. Her advice and the accompanying exercise will help you to improve your greens
Lamorna Birch
Glyn Macey admires the unique painting style of Lamorna Birch and demonstrates an acrylic coastal scene in his style for you to follow
The Artist Open Competition 2018
We are proud to present the work of some of our talented prizewinners in this year’s annual open competition, organised in partnership with Patchings Art Centre. Our thanks go to everyone who supported the competition and especially our generous award donors
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