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October 2021
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COLOUR & LIGHT
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COLOUR & LIGHT
John
Walsom
Near the Tate Modern,
oil,
12316in
(30.5340.5cm)
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October 2021
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WELCOME from the editor
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MASTERCLASS Be inspired by Morag Stevenson, winner of
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ART BOOKS
Basics of Drawing Leonardo Pereznieto What sets this
PLUS THIS MONTH
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
THE ART WORLD
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
FEATURES
Reality check
Brian Henderson uses enhanced light and contrasting textures in his acrylic realist compositions, as Caroline Saunders discovers
Painting in the Himalayas
To celebrate an amazing painting experience and forthcoming exhibition of the work completed during their trip, Patrick Cullen, Tobit Roche and Tim Scott Bolton share their experiences
THE IMPORTANCE OF COLLABORATIONS
There are as many advantages to collaborating with other artists as there are reasons to join forces, as Sarah Edmonds explains
Putting your name on it
A signature is an important part of your painting. Mike Barr stresses the importance of a signature and why it’s better to keep to a consistent style
PRACTICALS
Make a tonal study of the head
In the first of a new three-part series about painting a portrait, Adele Wagstaff shows you how to use just black and white oil paint to make a tonal study
Try the ‘what-if ’ approach
In the second of a series of three articles, Brian Smith advises on how to achieve effects such as atmosphere, distance and focus by adjusting your pigment levels
Marine and coastal scenes
In the second article in his current series, Steve Hall explores the English coastline, where he finds plenty of inspiration for favoured subject matter, alongside an opportunity to make use of vibrant pastel colours
Still life with tulips
Follow Julie Collins as she shows you how to use glazing techniques to add depth in a watercolour still life of tulips in a vase
Hard, soft and broken edges
Paul Talbot-Greaves looks at three main types of edges in painting and explains what they are and how to use them, with an exercise for you to try
How to capture a person’s character
Carl Knibb reveals his process for painting portraits. Whether working in oils or acrylics he avoids making an initial pencil sketch, advising that it can be a fun exercise to go straight in with the paint and gestural marks
Use nature’s art supplies
Ann Blockley has discovered that connecting with nature in woodlands or close to trees helps creativity and to release creative blocks. As part of this process she makes natural inks and incorporates natural materials in her work
Explore acrylic spray painting techniques
Acrylic spray paints can inspire confidence and take your work in new directions. Robert Dutton shares his approach and working methods
Watercolour paper choices
Amanda Hyatt shares her experience of choosing and using watercolour paper and advises on how to choose the right surface for your work
Construct your own simple picture frame
Peter Burgess begins a series of three articles about picture framing. This month he shows you how to make a simple pine frame
Try your hand at abstract painting
Let Petra Thölken inspire and guide you to embrace abstract painting using acrylics and mixed media
NEWS & OFFERS
PaintersOnline editor’s choice
Meet this month’s editor ’s choice winner from our PaintersOnline gallery
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