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Sep-17
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The studio corner
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45 MIN READ TIME
The studio corner
Richard Pikesley
MASTERCLASS
Corner Table, Spring Sun
, oil on canvas, 20 × 24in (51 × 61cm). Painted over three sessions, I liked the strong diagonal accents of alternating shadow and light, and the reflection in the mirror at the back of the group
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Sep-17
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The Artist
WELCOME from the editor
Email me at theartistletters@tapc.co.uk, or visit our
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THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
FEATURES
Richard Burger
Susie Hodge discovers how Richard Burger achieves his powerful oil portraits, which are influenced by his time in Italy and in London
Charles Williams’ musings: BEAUTY IN FRANCE
In Montreuil with my wife last year, l was interested
Face your fears
What sends shivers down your artistic spine? Take heart, says Adebanji Alade, fears are in the mind so have the courage to face them and move your career forward a step
PRACTICALS
The illusion of glass
Paul Riley explains how to capture the transparenc y of glass using watercolour, with tips on how to depict cut glass, reflections, liquids (such as wine) and shadows
Australia – a painter’s view
Chris Forsey demonstrates how he captures the pure, glittering light and colours of Australia’s Great Ocean Road in mixed media, and shares the contents of his travel painting kit
THE A-Z OF COLOUR
Julie Collins explains how to ‘paint’ white in watercolour and suggests some pale mixes to use
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Express yourself in acrylics
Marie Antoniou shows you how, through a series of controlled or gestural marks, you can restrict yourself to a 2in brush to make a uniquely expressive painting
Landscape in perspective
Robert Dutton begins a new series in which he outlines the importance of perspective – this month he applies perspective to the wide-open landscape
Portraits of African lives
Rob Wareing, who uses the same palette for both dark and light complexions, shares his hints and tips for painting portraits
Near versus far
Paul Talbot-Greaves shows you how to achieve depth in your watercolour painting – it’s not always about following the rules of aerial perspective, as he explains
A class act
Max Hale says Jackson’s Black Hog brushes are well made and exceeded his expectations in all respects
Shake-up your style with collage
Liz Seward turns to collage whenever she wants to lift herself out of a rut, with still life the perfect subject matter – the possibilities are endless, she says, so why not give it a go?
Boats and harbours
Once again Barry Herniman is out and about with his travelling sketchbook. This month he demonstrates a watercolour of another inspiring location, Porlock Weir in Somerset
Get started with watercolour
Watercolour is always said to be the hardest of the painting media to master. Paul Gadenne provides a guide for newcomers to watercolour that should help you to avoid some common errors and pitfalls
How to keep your greens clean
Catherine Strong shows you how to mix greens in acrylics and oils for a vibrant painting of summer flowers
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OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
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