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Digital Subscriptions > The Artist > Sep-17 > EXHIBITIONS

EXHIBITIONS

GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT

LONDON

Bankside Gallery

48 Hopton Street SE1.

☎ 020 7928 7521

Off the Wall; selling exhibition by members of the Royal Society of Painter-Printmakers and the Royal Watercolour Society, until September 10

Browse & Darby

19 Cork Street W1.

☎ 020 7734 7984

Contemporary Gallery

Artists; includes Julian Bailey, Edmund Chamberlain, Victoria Crowe, Robert Dukes, Anthony Eyton, Anthony Fry, Eileen Hogan, Kate Hopkins, Thomas Lamb, Andy Pankhurst, Janie Patterson, Susan Wilson and Duncan Wood, until September 28.

Dulwich Picture Gallery

College Road SE21.

☎ 020 8693 5254

Sargent: The Watercolours; until October 8.

Estorick Collection of Modern Italian Art

39a Canonbury Square N1.

☎ 020 7704 9522

Franco Grignani: Art as Design 1950–1990; until September 10.

Flowers

21 Cork Street W1.

☎ 020 7920 7777

Freya Payne: Returning; paintings, sculptures and monoprints, until September 2.

Flowers

82 Kingsland Road E2

☎ 020 7439 7766

Mono: An Exhibition of Unique Prints; until September 3.

Lyon & Turnbull Gallery

22 Connaught Street, W2

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About The Artist

Welcome to an inspiration-packed issue with great demonstrations to follow in all media to help practise and develop your skills, from Paul Riley's focus on how to depict glass and reflections in watercolour, Chris Forsey's mixed-media demonstration of a light-filled Australian coastal scene to Rob Wareing's feature on painting skin tones and portraits in oils. With an insight into up-and-coming Richard Burger's approach to portraiture and Richard Pikesley's use of studio objects as tabletop still lifes, we also step into the shoes of professional artists to see what motivates them and how they approach their work. Young artist Marie Antoniou urges you to express yourself in acrylics with just one brush, Robert Dutton explains the rules of perspective while Paul Talbot-Greaves shows how to achieve depth in landscape compositions, Barry Herniman paints boats and harbours, and Liz Seward suggests the perfect antidote to painter's block by turning to collage. For help with colour mixing, Julie Collins turns our attention to the variety of whites available, and Catherine Strong tells us how to keep our greens clean and vibrant. Enjoy the issue and email your feedback and comments to us at theartistletters@tapc.co.uk We love to hear from you!
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