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34 MIN READ TIME

Well composed

Reflecting on my life as a painter, I’ve often thought how fortunate I was to have spent so many years designing furniture and interiors after my initial training in design at art school. It certainly has stood me in good stead in my second career as a painter. Why, you may ask? That’s easy. No matter what medium you use, a painting is a design – whether it’s on paper, canvas, board, or any other material.

Composition

For me, there has to be some form of structure to the painting. Yet often when teaching students I find so many just sit down and paint without any thought about composition, tone or colour – all three being the basic principles of a painting. Too often, the end result will be disappointing.

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The Artist
September 19
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The Artist
WELCOME from the editor
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PLUS
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THE ART WORLD
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ART BOOKS
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OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
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Meet this month’s editor’s choice winner from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
FEATURES
Moments of colour and light
Susie Hodge talks to Sarah Butterfield, winner of The Artist Award in the 2018 Royal Society of British Artists Annual Exhibition
How to sell your paintings
Nicholas Poullis offers advice, based on his personal experiences, on how to give yourself the best chances of selling your work
Observation, memory & imagination
Wildlife artist and traveller Mary-Anne Bartlett reveals how she captures wildlife convincingly in watercolour in situ and then works up a painting in the studio
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Blinding sparkles
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Are you an oil painter, a watercolour painter or paint only in acrylic? In the first of two articles, Steve Hall urges you to move beyond your comfort zone as he demonstrates the same picture in oil and pastel
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