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Digital Subscriptions > The Artist > Summer 19 > YOUR VIEWS

YOUR VIEWS

Emailtheartistletters@tapc.co.uk or write to The Editor, The Artist, 63/65 High Street, Tenterden, Kent TN30 6BD Please note we may have to edit letters for reasons of space

Letters, emails and comments

Professional status

In response to Jan Cantle’s letter about the terminology ‘professional artist’ you offered a very appropriate definition. I have not looked up the dictionary’s definition of ‘amateur’ fearing a circular argument! The gallery that Jan refers to should have defined the term in order to provide meaning to the restriction in their rules. Gustave Caillebotte and Vincent van Gogh are two examples of great artists who would not have qualified as a ‘professional artist’ for that gallery – hmm.

Some artists, even some of your contributors, describe themselves as ‘a professional painter’ or some such. That rankles. I have never heard a member of any of the august professions such as doctors, dentists, architects describe themselves as professionals, it’s simply taken as obvious. Surely it’s best left to others to describe you as such if they think the term has merit. Paul Hollingsworth, by email

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About The Artist

Welcome to the summer issue of The Artist packed with articles by top professional artists and tutors to inspire, inform and help develop your technical and creative skills in all media. This month James Bartholomew discusses how he seeks to create more dynamic paintings using mixed-media techniques. Watercolourists will enjoy Aine Divine's demonstration showing how to paint a side profile portrait and Trevor Waugh's focus on how to capture flowers quickly using lost-and-found edge techniques. John Threlfall explains why pastels are ideal for capturing wildlife subjects and working in the field. There are also demonstrations and practical articles on how to add interest to your landscape foregrounds, capture a seasonal field of rapeseed, paint realistic-looking strawberries in acrylics and how to select the right colours and paint big summer skies. Plus we include articles on painting self-portraits, keeping a sketchbook , working on handmade linen boards, how to protect your work online, what you can and can't do about copyright issues, and more.