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Summer 19
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THE ARTWORLD
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33 MIN READ TIME
THE ARTWORLD
compiled by Jane Stroud
CLAUDETTE JOHNSON: I CAME TO DANCE
Claudette Johnson Standing Figure with African Masks, 2018, pastel and gouache on paper, 59¾×48in (151.5×122cm)
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The Artist
Summer 19
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The Artist
WELCOME from the editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk or visit our website at www.painters-online.co.uk/forum
NEXT MONTH IN the artist
Sunday TimesWatercolour Competition exhibitor Jayne
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YOUR VIEWS
Emailtheartistletters@tapc.co.uk or write to The Editor, The Artist, 63/65 High Street, Tenterden, Kent TN30 6BD Please note we may have to edit letters for reasons of space
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
Patchings Festival of Art, Craft & Design 2019 July 11-14
Patchings Festival of Art, Craft & Design 2019
UK ART SHOPS
Support your specialist art retailer by purchasing your materials from the shops listed here
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
ART BOOKS
Trevor Waugh Trevor Waugh is the master of loose watercolours
Image copyright and digital publishing
Mark David Hatwood concludes his series with some advice on what you can and can’t do about copyright infringement and how to protect your images online
FEATURES
James Bartholomew
James Bartholomew’s loose, colourful and dynamic paintings include coastlines, animals, cities and landscapes and are worked in a combination of watercolour and pastel, or acrylic, as Susie Hodge finds out
COMPETITIONS, NEWS & OFFERS
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Art Club of the Year 2019
A Leisurr Painter&The Artist COMPETITION in association with Patchings Art Centre & Jackson’s Art Supplies
Summer skies and clouds
This month Martin Kinnear focuses on the colour of skies and clouds in landscape painting, but to make it interesting, he’s concentrating on that painter’s curse – fine weather
SUMMER
It’s high summer, and Geoff Hunt is pondering why he’s usually happier with his second piece of work produced during a plein-air session
Develop a sketchbook habit
Jenny Wheatley urges you to make it make it a habit to use a sketchbook. You’ll find it invaluable for recording ideas for future paintings
Big skies
Jenny Aitken shares her secrets for painting big dynamic skies, with advice on how to judge tones and achieve a real sense of light
In the frame
Clare Bowen recommends Jackson’s Handmade Linen Boards, which come in a variety of finishes and sizes, and Jackson’s Ready Made Lime Frames, which work beautifully with the boards
Painters Online editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery
PRACTICALS
Portraits in profile
Follow Aine Divine as she paints a watercolour portrait of her sitter’s profile
Profile portrait of Jim
Whilst painting Hayley’s side profile portrait, and feeling that she was on a roll, Aine Divine asked her photographer to sit for her during Hayley’s breaks
Interesting foregrounds
In the second of two articles on working with acrylics, Carole Baker shows how she uses texture paste to achieve harmony and interesting foregrounds in her landscapes
Rapeseed fields in sunlight
Paul Talbot-Greaves demonstrates how to paint a field of rapeseed in full flower in five simple stages
Fast flowers in watercolour
Trevor Waugh shows you how to paint watercolours quickly by focusing on edges and lost-and-found techniques
Focus on selfportraits
A devastating diagnosis prompted portraitist Mark Fennell to document his 18-week treatment period by painting a self-portrait each week and posting it on social media
Eye-catching strawberries
Tim Gustard has discovered the value of including some bright red juicy strawberries in his paintings and shares his tips for painting realistic-looking juicy fruits using acrylics
Wildlife impressions in pastel
Wildlife artist John Threlfall demonstrates how he uses pastel when working in the field to record an impression of species shape, size, behaviour and colour
Colour choices in painting animals
Ruth Buchanan’s series continues with a look at colour. This month she advises on temperature and tone when making colour choices
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