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July 2019
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Baroque to the future
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29 MIN READ TIME
Baroque to the future
MAKING MATTERS
Points of interest to violin and bow makers
Mathijstheyligers (far let) discussing the project with members of La Scinilla
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This article is from...
The Strad
July 2019
VIEW IN STORE
Other Articles in this Issue
The Strad
Editor’s letter
Is the viola limited by its repertoire? Certainly in
SOUNDPOST
Letters, emails, online comments
FRONT
On the beat
News and events from around the world this month
Moorish magic
A tribute to an intoxicaing place
Turningtheads
Another tech-based soluion to musicians’ everyday problems
Life lessons Natalie Clein
The British cellist recallsther time studying withtheinrich Schiff in Vienna, and the authors and recordings that still inspirether today
A MUSICAL OUTCAST?
Toby Deller argues that the itle character of Harold en Italie is a social outsider whose isolaion is a metaphor for the viola’s struggle for acceptance throughout musical history
A royal occasion
A castle seing, an enicing top prize and some highly promising string players were what Tom Stewart encountered at the Windsor Fesival Internaional String Compeiion inal in March
FEATURES
BACH RENEWED
French violist Antoine Tamestit releases not one but two albums of Bach arrangements in 2019: the viola da gamba sonatas and the Goldberg Variations for string trio.the reveals his innovatory and thoughtful approach to these challenging works in conversation with Carlos María Solare
Curiouser and curiouser
Was the 1672 ‘Mahler’ the irst viola ever made by Antonio Stradivari? As Jonathan Marolle explains, this is just one of the unanswerable questions that arise when studying this fascinating instrument
POWER OF TWO
In early May, violinist Patricia Kopatchinskaja and cellist Sol Gabetta premiered Akin, a new double concerto written for them by Michel van der Aa. Pwyll ap Siôn attended this performance, in Cologne, Germany, and spoke to composer and soloists about bringing the work to the stage
IN THE MIX
The Edinburgh Quartet recently selected its 2019 apprentice, following a round of public auditions featuring performances from nine young musicians. As the training programme enters its third session, Toby Deller discovers a unique opportunity for rehearsal and performance
A MEASURED APPROACH
Although the many varied methods of stringed instrument making have been analysed countless times, the actual production process has hardly been questioned in its 450-year history. Luan Amorim and Amanda Schwegler use techniques taken from engineering to survey the time and cost factors – and come up with some unusual recommendations
Where there’s a will there’sa way
During two months in Uganda, Pauline Harding learns about the indigenous one-stringed endingidi, and discovers how dificult it can be to learn an instrument in a country whose education system lends little support for arts training
REGULARS
WILLIAM FORSTER II
A close look at the work of great and unusual makers
Regluing split corner-blocks
A reliable method for rejoining blocks split for a restoraion, paricularly useful for cello repairs
MY SPACE
A peek into lutherie workshops around the world
SAINT-SAËNS INTRODUCTION AND RONDO CAPRICCIOSO
Spanish dance andtheifetz are two of Rodney Friend’s biggest inluences in this popular showpiece
Chords
How to tackle muli-stopped passages with more conidence, musicality and alacrity
Reviews
Your monthly critical round-up of performances, recordings and publications
From the ARCHIVE
Cellist Gregor Piatigorsky gives a irst-hand account of his light from Russia into Poland
GARY HOFFMAN
For the American cellist, Brahms’s op.99 Sonata in F major is the alpha and omega of cello playing, allowing for every possible feeling and a vast array of interpretaions
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