Shopping Cart -

Your cart is currently empty.
Upgrade to today
for only an extra Cxx.xx

You get:

plus This issue of xxxxxxxxxxx.
plus Instant access to the latest issue of 350+ of our top selling titles.
plus Unlimited access to 30000+ back issues
plus No contract or commitment. If you decide that PocketmagsPlus is not for you, you can cancel your monthly subscription online at any time. Auto-renews at $13.99 per month, unless cancelled.
Upgrade for $1.39
Then just $13.99 / month. Cancel anytime.
Learn more
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the Canada version of the site.
Would you like to switch to your local site?
Read anywhere Read anywhere
Ways to pay Pocketmags Payment Types
Trusted site
At Pocketmags you get
Secure Billing
Great Offers
Web & App Reader
Gifting Options
Loyalty Points


Bill Haley was one of the main fathers of rock’n’roll, but his career didn’t start with Rock Around The Clock…
The owner of the most famous kiss-curl in music, Mr William John Clifton Haley
Silver Screen Collection/Getty

In April 1954, Bill Haley And His Comets entered the Pythian Temple, New York, to record a couple of songs for their new record label Decca.The first was a sauntering, atmospheric jazz-blues hybrid Thirteen Women (And Only One Man In Town), the other a brisk and noisy, crisply executed boogie (We’re Gonna) Rock Around The Clock. The result, it’s been decreed by historians, was history, the latter number providing the big bang moment marking the ultimate fusion of stepped-up country music and African-American rhythms that created commercial rock’n’roll.

It was never quite that simple. For a start, Rock Around the Clockwasn’t an outstanding success to begin with. Producer Milt Gabler, at heart a jazz sophisticate, had always favoured the more adult Thirteen Womenas the superior song, and when the disc went out that went on the topside, with Rock Around The Clock, described as a foxtrot in some befuddled quarters, on the flip. While the record did well enough, selling 75,000 copies first time round, it was actually a version of Big Joe Turner’s Shake, Rattle And Roll, recorded by the band at a second Decca session a couple of months later, that gave Haley his first million seller, reaching No.7 on the American pop chart in August 1954. It wasn’t until Rock Around The Clockwas used as the theme tune to the teen rebellion flick Blackboard Junglethe following year that the song really took off, hitting the top spot in the US in May 1955. Its fortunes in the UK mirrored those across the pond, stalling at No.17 after first entering the hit parade in January 1955, before re-entering and rising to No.1 in October 1955. By this time Blackboard Jungleand Haley’s name had become synonymous with an outbreak of frenzied cinema seat slashing by British youth across the land. Rock’n’roll had finally arrived.

Purchase options below
Find the complete article and many more in this issue of Vintage Rock - May/Jun 2019 - Buddy Holly And The Crickets
If you own the issue, Login to read the full article now.
Single Digital Issue
May/Jun 2019 - Buddy Holly And The Crickets
This issue and other back issues are not included in a new Vintage Rock subscription. Subscriptions include the latest regular issue and new issues released during your subscription.
Annual Digital Subscription
Only $ 4.66 per issue
Was $35.99
Now $27.99
6 Month Digital Subscription
Only $ 6.00 per issue

View Issues

About Vintage Rock

New issue of Vintage Rock is available now!