It’s been quite the year for Computer Music, though the start of the year brought a slight internal re-alignment (with the departure of editor Andy Jones, and the arrival of new editor Andy Price) we’ve continued to keep hyper-focused on tracking the ebb and flow of in-the-box music production. From complex and rich software instruments, lifelike sample libraries and new idea generators to the onrush of AI-fuelled tools, we’ve always been eager to review as much as we can.
However, the truth is that there’s simply been so much released that we’ll likely continue to be testing some of the deluge of 2023’s releases well into 2024.