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In the STUDIO

p Erin Lee Self-Portrait with Mirror, photographic print, 4*6in (10.5*15cm) from In the Studio at the Mall Galleries, London

Taking inspiration from its art societies, the Federation of British Artists (FBA) has been running the In the Studio programme to help young talent with the tools, ideas and experiences necessary to form their own collaborative art group. Young artists between the ages of 18 and 26 were invited to explore areas of the FBA and Mall Galleries, and 22 of these artists have been working on projects that consider the spaces they work in and inhabit – whether indoors or out – as well as the people they meet along the way, and how these have all helped to shape their practice. The results can be seen at In the Studio at the Mall Galleries, London from August 12 to 17, in which the artists describe their experiences of being an artist today. A series of events accompany the exhibition, including life drawing and painting workshops. Visit www.mallgalleries.org.uk to find out more.

OPEN Studios, trails & festivals

p Artist, Caroline McLachlan in her Pembrokeshire studio, open as part of North Pembrokeshire Open Studios

Thirty-eight artists will open their doors for the first ever North Pembrokeshire Open Studios, from August 24 to September 8. Painting, printmaking, textiles, ceramics, glass, photography and sculpture will all be featuring – mostly by established professional artists. An exhibition of members’ work will run concurrently at Yr Oriel Newport Gallery. Go to www.npopenstudios.co.uk for details.

•This year the popular Nidd Art Trail runs from August 16 to 26. Look out for pastels and oils by Richard Turner inspired by the local landscape, and Gill Kir k, whose exhibition My Nidderdale at Number 6 Studio Gallery, includes a personal view of the flora, fauna and places of the Dales. Jewellery, sculpture, ceramics, stone carving, embroidery, glassware, prints and maps will all be on show; www.niddart.org.uk

•The village of Painswick in Gloucestershire will be alive with arts and crafts for the 2019 Painswick Arts Festival – ArtBurst, from August 17 to 26. As well as exhibitions and masterclasses, there are competitions for all ages. See page 71 for details. For festival information visit www.artburstpainswick.co.uk

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The Artist
August 19
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The Artist
WELCOME from the editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk or visit our website at www.painters-online.co.uk/forum
NEXT MONTH IN the artist
IN CONVERSATION Winner of The Artist Award in last
PLUS
YOUR VIEWS
Letters, emails and comments
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
Solo show
It’s been 14 years since The Artist contributor, Judi
NEW Rembrandt watercolours
Commemorating the 350th anniversary of the death of
The art of dining
A new collection of RAF-inspired works by artist, Tim
WILLIAM BLAKE
TATE BRITAIN Millbank SW1P 4RG September 11 to February
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
ART BOOKS
Reviewed by Henry Malt
FEATURES
Landscape in focus
Jayne Stokes puts the landscape under the microscope in her miniature landscapes, which she paints in a mix of media, including watercolour, acrylic and collage, as Susie Hodge discovers
Oil studies, any time, anywhere
Haidee-Jo Summers shares her tips for choosing and using the best pochade box for your needs
Portraits in charcoal
Charcoal is a beautiful medium and very adaptable for drawing portraits – you can smudge it around or be very precise and detailed, as Kathy Barker demonstrates
Heather moors
Follow Paul Talbot-Greaves and paint a heather moorland scene using acrylics, in just five stages
OPEN STUDIOS… how we did it!
Artists involved in setting up the newly formed North Pembrokeshire Open Studios share their experience of how they organised their event
An artist’s book
Creating your own book can be very rewarding. Robert E Wells, who published his own book, In Perspective, shares his experience, with a guide to the costs involved
PRACTICALS
Animal patterns
explains how to paint animal coat patterns, using these to help describe the form, and how to cope with the effect of shadows on coat patterns
Difficulties with promising subjects
Found an appealing subject but worried that you might not be able to get the composition just right? suggests strategies that will help you decide what to include and what to leave out
AUGUST
Along the Thames Estuary paints his first ‘proper’ acrylic of the year but reverts to watercolour for a trip to Little Venice
Dealing with all those greens
brings his four-part series on landscape painting to a close by looking at green and hopes to convince you that it’s not a difficult colour, it just depends on how you use it
At the end of a day
advises on colour choices and mixing, painting equipment and tactics to capture a sunset en plein air in oils
Summer trees
shows how to achieve light and depth when painting summer trees
Out in the landscape
shows you how to paint a watercolour landscape full of interest, whether it be near or far, and shares her ten top tips for better landscape compositions
Out in the landscape
Amanda Hyatt demonstrates her ‘near’ landscape painting, which she adapted from a photo (not shown)
Contemporary portraits
Hashim Akib introduces his method of painting portraits in acrylic by applying blocks of paint. Follow his demonstrations to discover how to de-clutter your brain and concentrate on the bigger picture, rather than the details, to achieve a likeness
Pastels with a difference
Pan Pastels are ‘a fascinating medium’, says Les Darlow as he demonstrates how they can be used like watercolour – but without the water – and with other media, too
Rembrandt watercolours
Royal Talens have introduced new colours and improved hues into their range of Rembrandt artist-quality watercolours, including a break-through addition of metallic paints. Watercolourist Max Hale finds them exciting and effortless