Sie sehen gerade die Germany Version der Website.
Möchten Sie zu Ihrer lokalen Seite wechseln?
1 MIN LESEZEIT

THE SHOW GOES ON

WATTS GALLERY

Down Lane, Guildford, Surrey GU3 1DQ ☎ 01483 810235 www.wattsgallery.org.uk

James Hague The Actor, David Morrissey, oil, 173/43113/4in (45330cm)
Lesen Sie den vollständigen Artikel und viele weitere in dieser Ausgabe von The Artist
Kaufoptionen unten
Wenn Sie die Ausgabe besitzen, Anmelden um den vollständigen Artikel jetzt zu lesen.
Digitale Einzelausgabe January 2020
 
€6,99 / issue
Diese Ausgabe und andere ältere Ausgaben sind nicht in einer neuen Abonnement. Das Abonnement enthält die letzte reguläre Ausgabe und die während des Abonnements erscheinenden neuen Ausgaben. The Artist
Digitales Jahresabonnement €47,99 jährlich abgerechnet
Speichern Sie
43%
€4,00 / issue
Monatliches digitales Abonnement €5,99 monatlich abgerechnet
Speichern Sie
14%
€5,99 / issue
PRINT-ABONNEMENT? Erhältlich auf magazine.co.uk, den besten Zeitschriftenabonnement-Angeboten online.
 

Dieser Artikel stammt aus...


View Issues
The Artist
January 2020
ANSICHT IM LAGER

Andere Artikel in dieser Ausgabe


The Artist
WELCOME from the editor
Want to comment on something you’ve read, or seen?
PLUS THIS MONTH
YOUR VIEWS
Email theartistletters@tapc.co.uk or write to The Editor
THE ART WORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
OPEN COMPETITIONS & EXHIBITIONS 2020
PLEASE NOTE
ART BOOKS
Isabel Seligman
COMPETITIONS, NEWS & OFFERS
Inspiration from The Artist archives
Since 1931 The Artist has been created by artists
A subscription to The Artist makes a great gift
Give a gift subscription and you will receive a gift card to give to the lucky recipient. They’ll receive their first issue shortly after Christmas
PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
In with a chance
Will this be the year you finally enter an open exhibition? Bob Brandt reveals the ‘secrets’ of what the selectors will be looking for
FEATURES
City viewpoints
Caroline Saunders talks to Andrew Halliday about his bold, architectural cityscapes and his use of dramatic contrast and playful colour
PRACTICALS
Mixed media best practice
In the first of a new occasional series offering essential guidelines for artists, Robert Dutton suggests ten ways to approach mixed-media work to ensure best results
New year, new skills
Paul Talbot-Greaves suggests 12 exercises to practise during the year to help improve your watercolour painting skills
Painting water in pastels
In the second article in this series, Robert Brindley shows you how to create the effects of light on calm and moving water, including sparkles and reflections
Good design in watercolour
Jake Winkle explains why design is essential to good composition and therefore a painting that will hold the viewer’s attention
Textured backgrounds in still life
Penny German explores the different materials and techniques that can be used to add texture and interest to your still-life paintings
Noses
Kathy Barker takes you through the basics of painting a nose in the third article in her series on painting portraits
Go with gouache!
Barry Herniman chose gouache for this demonstration painting of a steam engine (a subject close to his heart) because of the versatility offered by the medium
Chasing the light with sunflowers
This month Soraya French has chosen the flamboyant annual sunflower, a quintessential cottage garden flower, to demonstrate her creative mixed-media techniques
Structure, form and space
Adele Wagstaff begins a new three-part series in which she explores how artists can learn from copying the work of the Old Masters
Out and about in the Rockies
A small set of watercolours, two or three sketchbooks and some drawing pens – what more do you need when you’re off to the Canadian Rockies? Ian Sidaway describes the road to discovery
Take up the challenge
Follow Sandra Orme and create a scene of winter trees with evocative winter light using charcoal and soft pastels
Paper and paper choices
When it comes to watercolour papers there’s a huge choice, so what should you opt for? Jenny Wheatley takes you through the properties of the different papers and advises on the suitability of surfaces and weights
Winter trees
Julie Collins begins a new, year-long series about colour. This month she shows you how to mix the perfect colours to paint winter trees in watercolour
GET TO GRIPS WITH THE BUSINESS OF ART
Paul Brown shares what he’s learnt about the business side of art during the last 26 years of working as a professional artist