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Third outing for first novel prize

The First Novel Prize 2018 will open for entries on 1 February.

Organised by Daniel Goldsmith Associates and now in its third year, the First Novel Prize is for an unpublished novel manuscript and has a first prize of £1,000, and second prize of £250 and a third prize of £100.

The competition is for original, unpublished novels for adult readers, in any genre, of at least 50,000 words. Children’s and YA novels and novellas, short stories and non-fiction are not accepted. To enter, send the novel and a synopsis in the same document. Double space the manuscript on numbered single sides of A4. Include your contact details on the title page of the manuscript. There is a £25 entry fee, payable via the online submission system. Postal entrants may pay by cheques made out to Daniel Goldsmith Associates, and should include a covering letter. The closing date is 31 May.

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Writing Magazine
February 2018
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Warners Group
Welcome…
Happy new year! Welcome to your first Writing Magazine
REGULARS
THE WORLD OF WRITING
This month the challenges in Writing Land include drizzle, dysentery and absqualated hornswogglers, discovered by Derek Hudson
LETTERS TO THE EDITOR
We want to hear your news and views on the writing world, your advice for fellow writers – and don’t forget to tell us what you would like to see featured in a future issue…
Editorial calendar
Strong forward planning will greatly improve your chances with freelance submissions. Here are some themes to consider for the coming months.
Away from your desk
Get out of your garret for some upcoming activities and places to visit
BBC NSSA OK?
Your essential monthly round-up of competitions, paying markets, opportunities to get into print and publishing industry news.
Win £10 per word
The annual Reader’s Digest annual 100-Word Story Competition
Bath prizes get bigger
Now in its fifth year, the international Bath Short
Big writing adventure
The Wilbur Smith Adventure Prize is inviting entries
Moz the Monster vs Mr Underbed
John Lewis found itself at the centre of a plagiarism
A new adventure
Adventures in Fiction is inviting entries for its 2018
UK MAGAZINE MARKET
Sarah Wright edits two of the UK’s leading pet titles
FLASHES
With Matt Bolton now the editor, T3 technology magazine
UK CHILDREN’S MARKET
Maverick Arts Publishing Ltd, an independent publisher
GLOBAL WEBSITE MARKET
Paste.com is a hugely popular US pop culture website
It’s a Funny Old World
Philip Pullman whose famous trilogy, His Dark Materials
FLASHES
Lauren Morton is now acting editor of the bimonthly
UK SPECFIC MARKET
UK publisher Gollancz have been publishing speculative
Keep it short for BWC
Bridgend Writers’ Circle is inviting entries for its
Supernatural storytelling
The Fiction Desk Ghost Story Competition 2018 is open
Play with Papa
The Papatango New Writing Prize is inviting entries
UK MENTAL HEALTH MARKET
Pull the trigger on mental health issues
The appliance of science
Patrick Forsyth dips into a research study about improving concentration
GLOBAL SPECFIC MARKET
Future imperfect
Rewarding new TV talent
New TV writing is invited for the Edinburgh International
A poetic intrepretation
The Interpreter’s House Poetry Competition 2018 is
Desperate writing
Desperate Literature is a new international book shop
FLASHES
Peter Hassall is the editor of Swimming Times, the
UK CHILDREN’S MARKET
Words for children
Poems waiting to emerge
The Caterpillar Poetry Prize is open for entries. The
And another thing…
‘Key figures in the formation of thought and belief
GLOBAL LITERARY MARKET
Get into Litmag
Classics hit the small screen
Two mid-20th century classic American novels are about
Too many characters
Many top writers weren’t happy when Twitter doubled
Lost Chandler story published
In November The Strand Magazine published It’s All
FLASHES
Claire Munnings edits Health & Wellbeing magazine
INTRODUCTIONS
Writing Magazine presents a selection of health publications currently accepting contributions. We strongly recommend that you familiarise yourself with their guidelines before submitting and check websites, where given, for submission details.
GLOBAL POETRY MARKET
Beans and booze
GLOBAL LITERARY MARKET
Call for December
Indies booming
Inpress, a distributor which works with sixty small
Showcasing SF
If you have had a science fiction story published anywhere
The books that bunnies bought
The library of Watership Down author Richard Adams
FLASHES
Nick Compton is acting editor of Wallpaper, the design
UK HEALTH MARKET
A healthy approach
Novel Ideas
You run a risk if you use familiar faces in your fiction, says Lynne Hackles
GLOBAL WEB MARKET
Get under the skin
Write your life
Aiming to celebrate and develop life writing in the
Keep it short
Running monthly themed competitions with a first prize
INTERNATIONAL
ZINE SCENE
GLOBAL LITERARY MARKET
Correspondents wanted
Making up the numbers
Twenty-two Twenty-eight is a fascinating place. Visit
Awards for promising student writers
Aiming to recognise and reward emerging critical and
Get your writing seen
Recently launched, NinetyFour magazine, based in Glasgow
UK NATURE MARKET
Country file
Body text
Corpus Press is a niche American small press, specialising
People, people, people
Patrick Forsyth looks at how the number of people you encounter must affect how you write.
GLOBAL FICTION MARKET
Get into Darkhouse
Write your life
The White Review Short Story Prize 2018 is open for
Book Talk
There’s a feature in the Guardian in which authors
UK MAGAZINE MARKET
Grow green fingers
Create interactive fiction
Manawaker Studio is a niche American market which makes
Big winners this month
The 2017 Goldsmiths Prize, worth £10,000, has been
Learning to fly
If you can write books, selling them on Amazon is surely the easy part, right? Lorraine Mace discovers otherwise
ASK THE EXPERTS
The ripple effect
Get your work out there, says Michael Allen – it could have an unexpected effect
On Writing
Tony Rossiter explores great words from great writers
OF THE DESK
In publishing, biggest is not always best, reflects Piers Blofeld
Reading the future
What does 2018 hold for you? WM canvassed the experts’ assessments of the state of the publishing industry and their predictions – personal and professional – for the year ahead
Ask a Literary Consultant
A reader who can’t finish her novella needs to ask what her story is trying to tell her, says Helen Corner-Bryant
On course?
Jane Wenham Jones has advice for a writer wanting to know the best way to develop her skills
Helpline
Your writing problems solved with advice from Diana Cambridge
BEHIND THE TAPE
Expert advice to get the details right in your crime novel. from serving police
Taxing transformations
Remember the plans for quarterly tax returns? Simon Whaley finds out what writers need to do now, in preparation
The Victorian era
The 19th century is a fertile ground for writers. Tarja Moles helps you plan your research
Get creative
As Abode rolls out the latest CC upgrade, Greta Powell explores some of its useful features
INTERVIEWS AND PROFILES
Queen of Hearts
Megaseller Barbara Taylor Bradford shares the secrets of a successful saga, with Tina Jackson
How I got published
Karla Forbes tells Dolores Gordon Smith how she wanted to write thrillers that would appeal to women as well as male readers
KATHY REICHS
Tony Rossiter looks at a writer who uses her professional expertise to produce crime novels with the stamp of authenticity.
ANNA JACOBS
The romantic novelist shares her five favourite reads with Judith Spelman
SUBSCRIBER
Share your writing success stories. If you subscribe to Writing Magazine and would like to feature here, email Tina Jackson, tjackson@warnersgroup.co.uk
CIRCLES’ ROUNDUP
If your writing group would like to feature here, whether you need new members, have an event to publicise or to suggest tips for other groups, email Tina Jackson, tjackson@warnersgroup.co.uk
JEFF ABBOTT
The US author tells Chris High about researching amnesia for his new psychological thriller
LLOYD OTIS
The debut crime writer tells Adrian Magson how his first novel was inspired by his own experience of identity theft
HANNAHFIELDING
The novelist tells Lynne Hackles about the disciplined writing schedule for her sweeping romances
CREATIVE WRITING
See through THE FOG
When you get stuck in a writing fog, do something else until the mists clear, advises Adrian Magson
The write way
Writing guru Julia Cameron shares exclusive advice and inspiration with Writing Magazine readers
UNDER THE MICROSCOPE
James McCreet considers the beginning of a book for children
A look back in time
Novelising the past has challenges for the modern historical fiction writer, but human nature doesn’t change, says Margaret James
In another place
Setting accentuates story in Doris Lessing’s Through the Tunnel, explored by Helen M Walters
How to win an agent’s heart
Amy Sparkes quizzes top literary agents to give you the best advice on getting representation for your children’s book
THE CHOSEN ONE?
Alex Davis puts the case for and against contemporary interpretations of a well-worn fantasy trope
COMPETITIONS AND EXERCISES
Anna, Love Séamus
I thought men aren’t supposed to do love.’ Those were
What is the question?
Get your writing group members to find out about each other to prompt new writing, says Julie Phillips
Why Not Be A Writer?
“I’m currently working on my fourth book, have been
Red Editing Pen
Each month, we give you a few sentences which would all benefit from some careful use of your red editing pen. As writers and regular readers of Writing Magazine, you should not find any of these too difficult. But if you would welcome a little help, you can always check out Richard Bell’s suggested solutions set out below:
POETRY
Child’s play?
Meg Marsden has had a tough time judging the winners of WM’s competition for children’s poetry
Work it out
Alison Chisholm looks at the way a poet can develop fresh ideas in a workshop setting
Poetry in practice
Clarify your initial ideas for a poem by trying out words on paper, says Doris Corti
Poetry from A to Z
Poet Alison Chisholm guides you through the language of poetry
MONSTER MASH UP
To celebrate the bicentenary of Frankenstein, Alison Chisholm launches our competition for monster poems
Whisky Night
At seven in the morning on the Monday after the old