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INTRODUCTIONS

FROW is an online independent magazine that covers British and international fashion and style, mixing high street and high end and targeting readers between 25 and 40. Content covers fashion and beauty, lifestyle, women in business and culture. Editor in chief Leanna Grant is happy to hear from freelances who can provide insider news, fashion editorials, think pieces and interviews with up and coming designers. Payment varies. website: https://frowmagazine.com/

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Writing Magazine
May 2020
ANSICHT IM LAGER

Andere Artikel in dieser Ausgabe


EDITOR’S LETTER
Welcome…
I always write this letter as the last thing in each
REGULARS
THE WORLD OF WRITING
Gigantic tomes, library theft, fraudulent felons and a real-life Targaryen dragon are all par for the course in this month’s wide world of writing
LETTERS TO THE EDITOR
We want to hear your news and views on the writing world, your advice for fellow writers - and don’t forget to tell us what you would like to see featured in a future issue…
Editorial calendar
Strong forward planning will greatly improve your chances with freelance submissions. Here are some themes to consider for the coming months.
Look around
Patrick Forsyth explores the surprising wealth of conventional publishing options
Novel Ideas Be brave. Be bold. Be frivolous.
Take your courage in your hands and see where it gets you, urges Lynne Hackles
Unforeseen circumstances
In writing about travel we should perhaps recognise
LUCIE WHITEHOUSE
The crime and thriller author tells Lynne Hackles how she writes about Birmingham from a library in Brooklyn
Writing MAZINE
Meet debut literary scifi author Andrew Hunter Murray
Choose your poison
Authors dread bad reviews but they led to an unexpected success for Lorraine Mace
Cosy Crime Pays For Indy Author
Lynn Florkiewicz’s dream of being a writer began when she was just six years old, but it had to sit on the back-burner until, at the age of 45, she took a creative writing course with The Writers Bureau, and started out on a whole new adventure…
ASK THE EXPERTS
Safe and INFORMED
The Society of Authors’ Martin Reed talks about the reasons the SoA worked with Samaritans to provide a factsheet on writing about suicide
Would you, should you, could you?
Our industry insider, literary agent Piers Blofeld, gives a commercial critique of a controversial cancellation
BEHIND THE TAPE
Expert advice to get the details right in your crime fiction, from serving police officer Lisa Cutts
CREATIVE WRITING
Get into character
Bring your characters to life on the page with help from creative writing tutor Michael Clough
Put an end to it
A short story with an ambiguous ending prompts Helen W Walters to consider the importance of endings in your fiction
MIND THE GAP
Be aware of the plot holes and pitfalls that can undermine your finished children’s story with advice from author Amy Sparkes
Elegant variations
It’s a tricky tightrope between positive representation and appropriation. Just one of the minefields in in your fiction Margaret James helps you navigate.
I wish I’d known…
There are many things I wish I’d known when I started
Feeding the beast
Where do horror writers get ideas their stories? Look for inspiration in dark corners with advice from Alex Davis
INTERVIEWS AND PROFILES
Northern soul
Warm, funny and uplifting, RNA Outstanding Achievement Award winner Milly Johnson puts human kindness at the heart of all her books, she tells Tina Jackson
The style & technique of JohnSTEINBECK
Tony Rossiter looks at the Nobel winner’s two most famous books
CIRCLES’ ROUNDUP
If your writing group would like to feature here, whether you need new members, have an event to publicise or to suggest tips for other groups, email Tina Jackson, tjackson@warnersgroup.co.uk
SUBSCRIBER SPOTLIGHT
Share your writing success stories. If you subscribe to Writing Magazine and would like to feature here, email Tina Jackson, tjackson@warnersgroup.co.uk
When Life Gives You Lemons
Jodie Carpenter
CHRISTINA COURTENAY
The romance and timeslip author tells Margaret James how her new direction is really a return to a lifelong fascination
WRITTERS’ NEWS
Your essential monthly round-up of competitions, paying markets, opportunities to get into print and publishing industry news.
WRITING LIFE
The long road to success
Getting published is a waiting game, as Jenny Moore, who had to wait nineteen years to see her children’s book in print, describes
Ask a Literary Consultant
Helen Corner-Bryant says that despite the London Book Fair being cancelled there are good reasons for writers to work on their elevator pitches
HOW TO WRITE CRIME
Bestselling crime authors share their top tips for writing crime, courtesy of CrimeFest.
Under the covers
Debut author Gillian Harvey admits her booklaunch expectations all come from Bridget Jones
he PROS and CONS of PUBLISHING and SELF-PUBLISHING
Should you self-publish or pursue a publishing deal? Here are the pros and cons you need to weigh up to help you decide what’s best for your book
DEB RICHARDSON-MOORE
The American journalist turned author tells Dolores Gordon Smith how writing a painful memoir about working with the homeless propelled her into a crime fiction series
YOU’VE GOT MAIL
What makes a good author email newsletter? Two authors tell Simon Whaley how they keep in regular touch with their readers.
How to read a book
Tarja Moles looks at how read most effectively for research purposes
COMPETITIONS AND EXERCISES
FOOD for THOUGHT
Sandwiches fuel minds as well as bodies in these creative writing exercises from Jenny Alexande
WIN!£500 IN CASH PRIZES & PUBLICATION
CreativeCompetition
THE FOURTH STOREGGA SLIDE
1st place £200
Heart or head?
A writer whose editor is requesting fundamental changes to her manuscript has to consider what matters most to her, says Jane Wenham-Jones
TRACY BAINES
The writing tutor and author tells Judith Spelman about her top fi ve reads
Under the Microscope
James McCreet applies his forensic criticism to the beginning of a reader’s short story
Starting point
Just start writing, urges Adrian Magson. It doesn’t have to be the beginning.
TV EYE
Look into television for inspiration in these writing group exercises from Julie Phillips
POETRY
P ick & mix
Alison Chisholm is impressed by a poem that f uses nostalgic recollections with a sense of life’s fragility
Poetry in practice
Learn how to create an echo effect in your poems with help from Doris Corti