Damien May’s cover art for Dark Eyes 2: The Traitor (2018), with Paul McGann as the Doctor.
For the last 24 years, Big Finish has been releasing officially licensed full-cast Doctor Who audio dramas every month, all year round. By the end of 2023, the company will have released some 950 Doctor Who stories, which is (staggeringly) more than three times the number produced for television in six decades. And that figure doesn’t even include any of the company’s many spin-off ranges featuring former companions and supporting characters, or the continuations of TV spin-offs Torchwood, Class and The Sarah Jane Adventures.
Currently, there are download and CD box set releases throughout the year for each of the first ten Doctors, as well as ongoing series charting the exploits of UNIT, Torchwood, Rose Tyler, Rani and Clyde, Missy, the Paternoster Gang, the War Master and the cadre of the Gallifrey War Room. Across all these ranges, every aspect of the company’s creative and production standards consistently achieve the very highest levels for the medium, as evidenced by industry awards bestowed on releases including Dark Eyes (2012), Doom Coalition (2015 and 2016), Stranded (2020) and Out of Time (2020).
Established by Jason Haigh-Ellery in 1996, Big Finish Productions soon developed into the world’s largest independent purveyor of audio drama. Essentially, the company’s Doctor Who audios evolved from an unlicensed series of fan-made dramas released on audio cassette in the late 1980s. Produced by Bill Baggs and Gary Russell, the Audio Visuals dramas followed the adventures of a future incarnation of the Doctor played by Nicholas Briggs.
Big Finish producer Gary
Russell. Photo © Alex Mallinson.
Russell and Briggs subsequently became the key creatives for the Big Finish audios, with Briggs becoming co-executive producer (alongside Haigh-Ellery) in 2006.