No./14 JEAN-PAUL BELMONDO: THE KING OF COOL
THE LIPS BREATHLESS (1960)
Unforgettably surly as a small-time hood in Godard’s landmark film of the Nouvelle Vague, Belmondo is hip and macho and indifferent. His tic — slowly rubbing his thumb over his lips, à la Humphrey Bogart — must be one of the most memorable physical gestures of 20th-century cinema.