You are currently viewing the European Union version of the site.
Would you like to switch to your local site?
11 MIN READ TIME

MAYA | ARNOLD

CREATE MOODS WITH CG LIGHTING

Lucas Pozzey demonstrates the different ways to light a simple scene to convey various emotions and moods

FOLLOW THE VIDEO

http://bit.ly/3Dworld-expanse

There are many elements that go into creating strong emotion in filmmaking. Using a simple scene, we will explore the different choices we can make in a single shot to elicit emotion by creating four different lighting setups.

Whenever we start working on a shot or a sequence, we need to first define the most important factors – story and character. The first step should be to answer the following questions: What is the overall mood of the scene? Where is the drama? Who/what/where is the subject? Where do we want the audience to look? And the most important consideration, how are we emotionally affecting the audience?

Once you have answered these questions the rest of your lighting decisions should follow the same path. Often in VFX we are tied to some element of on-set or plate photography where a lot of the decisions will have already been made, however there is still a lot of room to complement the work of the DP when adding CG characters or set extensions.

For this tutorial we will be working in a full CG environment and therefore have the freedom to create the mood from scratch. Look around the room you’re in – or even better, through a camera lens – and see how light affects the environment. Look at the sharpness of the shadows, how the colour of the light affects the colour and shape of the object. The more you study light in the world around you the more you will be able to manipulate it and recreate it in interesting ways.

DOWNLOAD YOUR RESOURCES

For all the assets you need go to http://bit.ly/3Dworld-expanse

AUTHOR

Lucas Pozzey Lucas is a CG lighting specialist with a background in live-action cinematography and directing. He has worked on over 30 feature films and various commercials and TV series. He is currently working at Jellyfish Pictures as a lead lighting artist on an animated film. www.artstation.com/lucaspozzey

Unlock this article and much more with
You can enjoy:
Enjoy this edition in full
Instant access to 600+ titles
Thousands of back issues
No contract or commitment
Try for €1.09
SUBSCRIBE NOW
30 day trial, then just €11,99 / month. Cancel anytime. New subscribers only.


Learn more
Pocketmags Plus
Pocketmags Plus

This article is from...


View Issues
3D World
April 2021
VIEW IN STORE

Other Articles in this Issue


COVER ART
WELCOME
This issue we bring you a host of
ARTIST SHOWCASE
The Gallery
The best digital art from the CG community
Technique Focus
Incredible 3D artists take us behind their artwork 
The Gallery
OLAKUNDE
ARTIST Jack Malone SOFTWARE Maya, ZBrush, Mari, Substance
CELICA
ARTIST Ksenya Timchenkoy SOFTWARE ZBrush, Marmoset Toolbag This
The Gallery
THE DAY HAS COME
ARTIST Saby Menyhei SOFTWARE Maya, Arnold, Photoshop Concept
SUMMER GIRL
ARTIST Shin Min Jeong SOFTWARE Blender, Marvelous Designer, Substance Painter,
TS5 (TRAVIS SCOTT)
ARTIST Guzz Soares SOFTWARE ZBrush, Maya, XGen, Arnold
TOP FLOOR
The Rookies is a platform to help digital
FEATURES
THE FUTURE IS VIRTUAL
What does the rise of virtual production mean for the CG community? 3D World finds out from the experts
EVERYTHING IN-CAMERA
Where is virtual production going, and how can you ride the wave? We chat to Nic Hatch, CEO of Ncam, to find out
7 LAWS OF SCIENTIFICALLY ACCURATE VFX
THE TEAM BEHIND AMAZON’S CRITICALLY ACCLAIMED THE EXPANSE SERIES SHARE THEIR SECRETS TO PUTTING THE SCIENCE BACK INTO SCI-FI
THE PIPELINE
RENDER REALISTIC WATER CAUSTICS
Practical tips and tutorials from pro artists to improve your CG skills
DESIGN AND RENDER A MODERN INTERIOR
Learn to use key assets, tools and techniques to create stunning results for your interior render projects
ANIMATE A MELTING EFFECT IN BLENDER
Using the AnimAll add-on, we can create a melting object animation with Blender in just a few steps
ARTIST Q&A
HOW DO I CREATE A DISPLACED SURFACE USING JSPLACEMENT?
Practical tips an d tutorials from pro artists to
IS THERE A WAY TO AVOID USING CONTROL OFFSET GROUPS IN MY RIG?
Offset groups have been used to keep controls
HOW CAN I CREATE A SNOW MATERIAL USING BLENDER?
Creating procedural materials is always fun, you can
THE HUB
Motion capture made easy
Rokoko CEO and founder Jakob Balslev gives 3D World six reasons to be excited for their game-changing Smartgloves
The show must go on
Matthew Martin, MD of Immersive Studios, on what you need to know before you hold a virtual event
Lead animator
Kevin Taylor, lead animator at Flipbook, talks 3D World through his daily work routine
SideFX Labs: solving problems, daily
Where did the Labs initiative come from, and why is it important for users?
A decade of imagination
Trevor Hogg celebrates the tenth anniversary of the Framestore art department with Martin Macrae
REVIEWS
WHICH RENDERER IS RIGHT FOR ME?
We test and compare five of the most popular 3D renderers to help you find the one that best fits your needs
Chat
X
Pocketmags Support