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9 MIN READ TIME

EDITORS’ NOTE

IN ALLIES, we ask artists how they approach a question that animates many of Boston Review’s political essays: How do people who are not alike forge productive alliances? This is not only a political question —all relationships are in some sense acts of bridge-building. But in a moment of global and national chaos fueled in part by intensified identity wars, it feels critical to see if artists have ideas that others have missed.

The result is an anthology rich in insight and complexity. Arranged in an arc that moves from familial, private, erotic, and ecological concerns to explicitly political ones, it blends genres to approach the theme from a plurality of perspectives. We didn’t ask anyone to toe a party line, and many among the contributors and editors are skeptical and critical of the term “ally”, preferring accomplices, comrades, partners, lovers, family, revolutionaries…

Editing was collaborative. Evie Shockley and Ed Pavlić, Arts in Society’s contributing editors, generated lists of authors to invite and helped think through which poems spoke meaningfully to each other. They also helped recruit Ladan Osman, who judged our Annual Poetry Contest, and Yvonne Adhiambo Owuor, our Aura Estrada Short Story Contest judge. Osman and Owuor selected winners as well as finalists, many of which are included here. Each frames the theme in a new light, greatly enriching the issue. The original idea for Allies came from Arts Editor Adam McGee, who then also worked to fill in gaps and did hands-on editing, with help from a cohort of readers, assistants, and colleagues.

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Allies (Fall 2019)
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Other Articles in this Issue


FICTION
TWO
Sagit Emet, translated from the Hebrew
TO THE FORDHAM
NEWT WAS NOT a little man. He was thick, hairy, and
WHEN THE CLIMATE CHANGED
THE NEWS ON THE COMPUTER was full of the damage from
ALL WE REMEMBER WILL BE FORGOTTEN
“It will be the most wonderful sound I could ever imagine
MOTHER, GROW MY BABY
(Winner of the Fall 2019 Aura Estrada Short Story Contest)
CHAPATI RECIPE
(a finalist for the Aura Estrada Short Story Contest)
SAY SOMETHING
JOHANSSEN WAS THE WHITEST PARK in the whitest neighborhood
POETRY
& Christopher Kempf
Or infinity almost, turned upright. As in
FROM THE KINDREDS
(a Boston Review Annual Poetry Contest finalist)
FROM MASS EXTINCTION
Nothing that interesting has come out
AT THE GATES, MIKHAIL MAKES ME A FEAST OF RAIN AND DIRT
(a finalist for the Boston Review Annual Poetry Contest)
THREE POEMS
(Winner of the 2019 Boston Review Annual Poetry Contest)
AGAINST TRAVEL: A COLLABORATION
Rachel Levitsky & Suzanne Goldenberg
ACTIVATION INSTRUCTIONS // UNTITLED 3D POEM
Cut along the dotted lines.
‘ALAMS FROM THE BLACK HORSE PRISON, TRIPOLI, CIRCA 1981
‘Alams are short poems composed and chanted by Bedouin
A REQUEST
Fix me to your idea of midnight. Meaning
ETC.
ANOTHER WAY TO LOVE THIS WORLD
Abdellah Taia, translated from the French
TRANSLATION
(from The Freezer Door)
A BRIEF HISTORY OF THE SOCIAL JUSTICE ALLY
AT THE START of 2019, gay journalist Jonathan Rauch
THE PRIVILEGE OF THE ALLY
I FINALLY SAID IT aloud on a panel at AWP (the annual
THE HISTORIAN AND THE REVOLUTIONARY
Walter Johnson & Tef Poe interviewed by Mordecai Lyon
SOLIDARITY THROUGH POETRY
(from Social Poetics)
“ WE CANNOT BE THE SAME AFTER THE SIEGE”
AT THE BEATRIZ GONZÁLEZ RETROSPECTIVE mounted by Miami’s
ALLY: FROM NOUN TO VERB
PIANIST, COMPOSER, SCHOLAR, public intellectual, and
CONTRIBUTORS
CONTRIBUTORS
Amy Sara Carroll is an Assistant Professor of Literary