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EDITORS’ NOTE

Deborah Chasman & Joshua Cohen

“FEEL GOOD. Feel better. Move forward. Let it go,” Claudia Rankine writes in her poem Citizen, in the internal monologue of a black woman trying to move past anger over racial wrongs.

Rankine depicts a familiar sensibility about anger: yes, we sometimes have good reason for getting angry—we feel wronged, after all—but there are all kinds of reasons for (eventually) letting it go. Even if our anger is righteous, perpetual anger is destructive— whether for its bearer or for society.

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About Boston Review

Anger looms large in our public lives. Should it? Reflecting on two millennia of debates about the value of anger, Agnes Callard contends that efforts to distinguish righteous forms of anger from unjust vengeance, or appropriate responses to wrongdoing from inappropriate ones, are misguided. What if, she asks, anger is not a bug of human life, but a feature—an emotion that, for all its troubling qualities, is an essential part of being a moral agent in an imperfect world? And if anger is both troubling and essential, what then do we do with the implications: that angry victims of injustice are themselves morally compromised, and that it might not be possible to respond rightly to being treated wrongly? As Callard concludes, “We can’t be good in a bad world.” The contributions that follow explore anger in its many forms—public and private, personal and political—raising an issue that we must grapple with: Does the vast well of public anger compromise us all? FORUM Lead essay by Agnes Callard. Responses by Paul Bloom, Elizabeth Bruenig, Desmond Jagmohan, Daryl Cameron & Victoria Spring, Myisha Cherry, Jesse Prinz, Rachel Achs, Barbara Herman, Oded Na’aman. Final response by Agnes Callard. ESSAYS Judith Butler interviewed by Brandon M. Terry, David Konstan, Martha C. Nussbaum, Whitney Phillips, Amy Olberding.