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Digital Subscriptions > Classic Pop > July 2019 > REISSUES


© Ken McKay






Which definitive is that, exactly? Ms Minogue has never been short of greatest hits albums, with various compilations to her name to date, and a churl might unkindly point out that she has released precisely one Top 20 single in the past five years (2014’s Into The Blue).

Nor is this 42-track 2CD or 3LP (black, limited-edition mint green or picture-disc vinyl) any more definitive than its predecessors. Kylie-philes and completists will bemoan the absence of singles such as 1992’s Finer Feelings and her 2004 No.6 hit, Chocolate, while the 1997 Manic Street Preachers collaboration Some Kind Of Bliss is also oddly absent.

It’s not one for the purists, then, but for more casual fans, Step Back In Time will do just fine. With 74 singles to choose from over her 32-year career to date, there is no shortage of material to cherry-pick from, and in fact it is notable just how rarely the quality drops.

Kylie is a trouper who works with what she has and makes it count – no matter what the genre. Madonna is routinely lauded as pop’s great selfreinventor but Kylie’s lengthy oeuvre is virtually as eclectic. Is it Madonna’s greater agency that sees her hailed as a top strategist, while Kylie has never entirely totally lost the ‘pop puppet’ tag?

It is certainly unfair. Minogue has always roamed across musical styles with sure-footed élan, whether it be the tinny but infectious teen-pop of I Should Be So Lucky or the breathy siren murdered by Nick Cave in Where The Wild Roses Grow. They could not be more different. They’re both very her.

In this box, the sumptuous disco-hued millennial electropop of her Parlophone years dominates CD1. It’s a delight. Can’t Get You Out Of My Head, Spinning Around, In Your Eyes, On A Night Like This… if you don’t own a similar Greatest Hits, this embarrassment of riches alone makes it a must-buy.

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About Classic Pop

This month, we have the definitive interview with the returning Shakespears Sister – back after a split that lasted more than 25 years. We also meet Lloyd Cole to talk about his stunning electronic-flavoured new album Guesswork and catch up with the iconic Betty Boo who looks back on her career as a UK hip-hop trailblazer. Our Classic Album this issue is Frankie Goes To Hollywood’s ambitious debut Welcome To The Pleasuredome and we take a deep dive into the studio work of Belinda Carlisle for our Album by Album feature. We talk to Steve Barron, the director who shaped the 80s pop video landscape, and also hear from China Crisis’ Gary Daly as he unveils his first-ever solo album. Read our verdict on Madonna’s Madame X alongside new live LPs from Soft Cell and New Order plus much more in our new albums pages. Our packed reissues and compilation section features Kylie Minogue, Janet Jackson, Joy Division, Shakespears Sister and more. On the live reviews front, we check out shows including Take That, Howard Jones, Marc Almond and the Manic Street Preachers. Enjoy the issue!