Shopping Cart -

Your cart is currently empty.
Continue Shopping
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
EU
Pocketmags Digital Magazines
   You are currently viewing the European Union version of the site.
Would you like to switch to your local site?
Digital Subscriptions > Long Live Vinyl > Nov-18 > INTO THE MYSTICAL

INTO THE MYSTICAL

Brit rockers Uriah Heep’s fourth album, Demons And Wizards, was the first with what is regarded as the definitive line-up, and saw them create a dark fantasy world. Sean Egan explores the band’s musical high point and BMG’s latest Art Of The Album reissue…

ART OF THE ALBUM

Concert day, Italy. Uriah Heep’s Ken Hensley is confronted by a bewildering sight. A female fan has turned up with the legend ‘Today is only yesterday’s tomorrow’ tattooed on her arm. The words are a line from Circle Of Hands, a track written by Hensley for Heep’s esteemed 1972 album Demons And Wizards.

He freely admits it to be “a really not tremendously intellectual statement.” However, the fan’s solemn reaction to his lyrics is not unusual: “I’ve seen T-shirts made with it.” “It captured everyone’s imagination”, observes his colleague Mick Box of such Heep wordcraft. “It’s certainly a long way from Moon-in-June.”

Some 46 years later, the fascination inspired by Demons And Wizards’ mysticism-infused music goes on: the record is the subject of a new luxurious reissue in BMG’s Art Of The Album series. Although Demons And Wizards was Heep’s fourth LP, it was the first to feature what to most fans is the band’s definitive line-up. Following much personnel upheaval, vocalist David Byron, guitarist Mick Box and keyboardist Ken Hensley were joined by bassist Gary Thain and drummer Lee Kerslake. “While Lee was powering à la John Bonham, Gary was off with his wandering basslines”, reflects Box. “Gary was the most musical bass player I’ve ever heard”, says Hensley. “The combination of Gary and Lee was the final link to us extracting the maximum from our music. It was perfect. Putting the new line-up together definitely inspired me as a writer.”

READ MORE
Purchase options below
Find the complete article and many more in this issue of Long Live Vinyl - Nov-18
If you own the issue, Login to read the full article now.
Single Issue - Nov-18
€7.99
Or 799 points
Annual Digital Subscription
Only € 6.25 per issue
12 Free Back Issues
SAVE
22%
Was €74.99
Now €74.99
Monthly Digital Subscription
Only € 6.99 per issue
SAVE
13%
€6.99
Or 699 points

View Issues

About Long Live Vinyl

As the exhaustive new 15-disc David Bowie boxset, Loving The Alien, hits the streets, Long Live Vinyl lifts the lid on the period between 1983-88 when Bowie became a global pop megastar. Through exclusive interviews with Nile Rodgers, Carlos Alomar, Reeves Gabrels and Hugh Padgham, we bring you the inside story behind Bowie’s biggest decade, as well as an in-depth look at the reimagined Never Let Me Down 2018 album that’s the highlight of the new boxset. Elsewhere in this packed issue, we speak to Mark Lanegan about making his most spontaneous album to date with Duke Garwood; Hookworms reveal how they’ve become one of the UK’s most exciting live acts – while holding down day jobs; Cornershop look forward to their long-awaited new album; and Matt Berry kicks off the countdown to National Album Day. Dennis Morris tells us about his career photographing bona fide music legends including Bob Marley and the Sex Pistols; our Classic Album is Primal Scream’s 1991 collision of garage rock and dance music, Screamadelica; we round up 40 Essential Queen albums; and The Trip heads to Bordeaux on a French cratedigging adventure. If all that’s not enough, we bring you the widest range of new album, reissue, turntable and accessory reviews anywhere on the newsstand.