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Digital Subscriptions > MusicTech > Aug-18 > TASCAM US-1x2 & iXR £84 AND £124

TASCAM US-1x2 & iXR £84 AND £124

Tascam’s latest interfaces offer sleek iOS connectivity and a quality unit for under £130. Andy Jones asks if these are the best budget interfaces around…

Contact Tascam |

If only I’d been starting out in music production today. Thirty years ago it would have cost four figures – in dollars, euros, pounds or whatever – to get up and running with a set-up that could record music. Now it’s comfortably three figures and I’m not even adjusting those particular sums for inflation.

Recently in MusicTech we’ve looked at all-in-one starter packs from PreSonus and Audio-Technica/Audient that offer a stunning amount of power for peanuts. In the AT2035 Studio bundle, for example, you get an Audio-Technica mic, headphones, Audient interface, leads and Cubase LE for less than £300! Like I say, if only…

However, Tascam seems intent on capturing the budget crown – certainly on the interfacing side of things – with its US-1x2, an interface that currently streets at just £84! For good measure we’re also looking at the company’s iXR which not only handles your iOS connectivity needs, but weighs in at a street price of just £124. That’s a shade over £200 to have your interfacing for both your studio and mobile set-ups sorted!


Looking at the US-1x2 first and this is the entry level interface in the US range, a point previously occupied by the US-2x2. The US-1x2 records at up to 24-bit/96kHz resolution and is USB 2.0 bus powered, so no extra PSU is required. It boasts low latency and a fair amount of connectivity for the price

Main features

USB interfaces with

24-bit/96kHz resolution

Both feature HDDA (High Definition Discrete Architecture) premaps


Stereo line, jack or mic in (only one at a time)

Stereo and headphone out

● Size 146 x 55 x 120

● Weight 0.623


Combi mic/line ins line

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About MusicTech

In response to the ever-growing world of sound design, we highlight many of the best tools of the trade to equip you to experiment yourself, step-by-step guides to various processes, plus interviews with those whose careers have been built in the world of professional sound design. Elsewhere, we speak to former Stereophonics drummer Javier Weyler, whose company Breaking Waves facilitate the sonic needs of filmmakers in innovative, creative ways. We also talk to mix engineer Giles Barrett about his boat-based studio and head inside Nottingham's newly-opened Mount Street Studios. Along with our usual range of in-depth reviews we see our tutorial section expand once more as we welcome a brand new Reason series. We hope you enjoy the issue!