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Digital Subscriptions > MusicTech > Jul-18 > BEAT AND PATTERN SEQUENCERS IN CUBASE 9.5

BEAT AND PATTERN SEQUENCERS IN CUBASE 9.5

Analogue-style beat and pattern sequencers are essential – and Cubase can handle them just fine without external plug-ins. Adam Crute shows you how…

TECHNIQUE BEAT & PATTERN SEQUENCERS IN CUBASE

The interplay between repeated – and subtly evolving – patterns and loops lies at the heart of most genres of electronic dance music.

Whilst this is no surprise when you consider that analogue synthesis and sequencing technologies were the progenitors of the EDM sound, it does mean we need to mimic such technologies in order to create authentic and compelling dance music.

While there are DAWs that harness this approach – Propellerhead Reason being the obvious example – and any number of analogue-style synth plug-ins available, analogue-style beatbox, step sequencer and arpeggiator plug-ins aren’t as common; those that can be found are typically built as audio plug-ins, which can prove somewhat cumbersome when used for what is essentially a MIDI-based activity.

This is where Cubase’s MIDI effects plug-ins can help.

MIDI EFFECTS

Just like audio plug-ins, MIDI plug-ins are used to create, morph and modify the content of the track they’re applied to. Adding a MIDI plug-in to a track is easy: select a MIDI track and then click on the MIDI Inserts section of the Track Inspector to reveal a set of four insert slots; click on a slot to open a list of 18 plug-ins to chose from.

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About MusicTech

He’s the man who revolutionised modern film scores with a creative approach to music-making, sonic experimentation and sound utilisation that helps some of the biggest directors to tell their stories. This month we’re overwhelmingly honoured to speak to one of the greatest composers on the planet: Hans Zimmer. In our ten-page interview we talk to Hans about his recent work with Spitfire Audio – co-creating a remarkable assortment of production and studio tools – as well as his incredible career in soundtracking. Elsewhere this issue, Dave Gale takes us through the legacy of the vocoder, we report on this year’s Superbooth show in Berlin and speak to its progenitor Andreas Schneider about his views on modular synthesis and its integral place in the music technology world. We’ve also got our usual tutorials, tips and reviews. Enjoy the issue!