This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the European Union version of the site.
Would you like to switch to your local site?
Digital Subscriptions > MusicTech > Sep-18 > DynOne £179

DynOne £179

Does the world need another multiband compressor? Leapwing Audio thinks so. Alex Holmes dresses to compress…


Contact Leapwing Audio |

Multiband compression has been around for quite some time now, and although it can be very powerful, it can also completely destroy a mix in the wrong hands. Parallel compression has also been around for a while, but as a technique can be arguably more subtle and transparent as it leaves the original signal untouched. With that in mind, this new plug-in from Leapwing Audio aims to marry the two in a powerful, but transparent dynamics tool, which excels at bringing up low level detail rather than squashing dynamics.


DynOne is a 5-band, linear phase dynamics processor that can be used directly on the audio, or in Parallel Compression mode, with custombuilt crossover filters that have been designed to avoid phase alignment issues. The original version of DynOne was actually released last year, and this v2 release contains a handful of subtle, but useful tweaks. You have five faders in the middle of the GUI that control the volume of each band so you can subtly alter the tonality of your material by bringing up the parallel compressed versions. Straight off the bat, we were able to load a mixbus preset that added some excitement to the top end and controlled the lows, and adjusted each fader to taste, giving us a great sounding result in less than a minute! You can also link these sliders, or solo each band by shift-clicking on the fader itself, with meters showing the band volume and compression amount, plus additional faders for the master Input and Output either side. New features for version 2 here include Undo/ Redo, an A/B function, and K-Weighted LUFS readouts on the Input and Output to help you understand how the processing is affecting the audio.

Purchase options below
Find the complete article and many more in this issue of MusicTech - Sep-18
If you own the issue, Login to read the full article now.
Single Issue - Sep-18
Or 349 points
Annual Digital Subscription
Only € 2.67 per issue
Get the last 6 back issues free with this subscription
Was €31.99
Now €31.99
Monthly Digital Subscription
Only € 3.49 per issue
Or 349 points

View Issues

About MusicTech

In our cover feature this month, Alex Holmes guides you through the science and logic behind why it’s necessary to calibrate your studio and equipment, and the steps you’ll need to take to guarantee perfect, balanced sound at all times. Also this issue, Erin Barra simplifies some vital music production concepts that may have long eluded your understanding – to hopefully increase your sonic vocabulary. We speak to Kanye West’s former controllerist and cutting-edge musician Laura Escudé, UNO synth designer Erik Norlander and Emmy-winning Guus Hoevenaars. Additionally, we present our in-depth reviews of Roland Cloud, PreSonus Studio One 4, Loopcloud 2.0, Elektron Analog Four MkII and more, as well as 5 brand new tutorials to broaden your production chops.