Maddine Insalaco
Harmony in Pink and Green, oil on canvas, 48× 72in (122× 183cm)
My technique for painting glass involves layers of wet on dry paint to make convincing forms emerge from a base of flat abstract shapes. I use a traditional mix of linseed oil and rectified turpentine which means the layers are slow to dry, so I typically set up a complex still life with multiple objects and light sources from which I can compose a number of paintings. This way I always have a dry surface to work on.