Shopping Cart -

Your cart is currently empty.
Continue Shopping
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the European Union version of the site.
Would you like to switch to your local site?
Digital Subscriptions > The Artist > July 2018 > Colour and combinations

Colour and combinations

Hazel Soan advises on how to choose and mix colours for best effect in your painting, whether you are using oil, acrylic or watercolour

Deciding which colours to use in any one painting takes practice and experience, so here are my suggestions from my own paintings to get you started. First you need to establish a set of colours to work with, so I have listed the colours I use regularly with the basic essentials highlighted (left) in bold – a warm and cool version of the three primaries, pigments with varying degrees of transparency and opacity and some basic earths, plus white and black in oils and acrylics.

The Gargoyle, watercolour, 11x15in (28x38cm).

I used cool and warm versions of red, yellow and blue to mix the colours: permanent rose (c), cadmium red (w), aureolin (c), yellow ochre (w), helio cerulean (c) and ultramarine blue (w)


Titanium white/Chinese white

Indian yellow


Cadmium yellow middle

Purchase options below
Find the complete article and many more in this issue of The Artist - July 2018
If you own the issue, Login to read the full article now.
Single Issue - July 2018
Or 549 points
Annual Digital Subscription
Only € 2.61 per issue
plus 6 free back issues
Was €33.99
Now €33.99
Monthly Digital Subscription
Only € 3.22 per issue
Or 349 points

View Issues

About The Artist

Let this month's issue of The Artist inspire and guide your next steps in drawing and painting a range of figurative subject matter in all media. From realistic still lifes in acrylics, watercolour landscape challenges suggested by Amanda Hyatt, David Parfitt and Paul Talbot-Greaves, through to portraits in oils and mixed media, our fantastic team of practising artist-contributors aim to help you develop your knowledge and skills based on their own experiences as professional artists and tutors. Check out the list of contents for more details of all the great articles in this issue, and look out for our latest sketching competition to enter on page 66, plus win £500 worth of gift vouchers to spend on art materials with Great Art in our PaintersOnline competition on page 6. See also pages 12 to 13 for the latest news on the Patchings Art, Craft & Design Festival (July 12-15). We will be celebrating the opening of our annual The Artist open exhibition there on July 12. We look forward to meeting our successful selected artists and visitors to the festival.