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OPPORTUNITIES & COMPETITIONS

Sending-in days

Rugby Open

Details: Entries of visual art and craft are invited for Rugby Art Gallery and Museum’s open exhibition. Open to artists and makers aged 16 or over on November 19 2017 provided they also meet one of the following criteria: is a member of one of the local art groups (see website for full details); is currently studying, or has studied, in the Rugby Borough; lives or occupies a studio within a 15-mile radius of Rugby Art Gallery and Museum (see website for list of villages). Up to three works, created in the last year, may be submitted; acceptable disciplines are painting, drawing, original print, photography, film/video and craft. Performance and installation cannot be accepted. Maximum size of 2D and 3D work, 59in (150cm) in any direction, including diagonally; one person must be able to carry the work and it must be under 25 kilos in weight. Selected works will be exhibited at Rugby Art Gallery and Museum, Little Elborow Street, Rugby CV21 3BZ from November 28 to January 13. First prize is cash plus an exhibition in Floor One Gallery; other prizes include a People’s Choice Award of £100 and, new this year, the Martin Valentine Prize for promising young artists (aged 16–24 years). Full details and entry forms can be found at www.ragm.co.uk.

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The Artist
Oct-17
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The Artist
WELCOME from the editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk, or visit our website at www.painters-online.co.uk/forum
PLUS
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
Letters, emails and comments
ART BOOKS & DVDS
Al Gury Watson Guptill books are always good value
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
FEATURES
Exploring the visible
In the first of a new three-part series, Peter Burgess shares his approach to composition, including using the Golden Section, and tonal structure
Paint with‘Our man in Havana’ Peter BrownNEAC ROI
Don’t miss this fabulous opportunity to work alongside ‘Pete the Street’, a highly respected figurative painter, in one of the most colourful and atmospheric cities in the world, before it loses its time-warped appeal
The Horse’s Arse
When this book came out I got hold of a copy as soon
The Artist 2017 Open Competition
Be inspired by the excellence of some of the winners of this year’s open competition and exhibition, organised in partnership with Patchings Art Centre
Slow down
Haste is the artist’s worst enemy says Adebanji Alade. This month he advises you to take your time – it will help you to produce better paintings
The artist CONTRIBUTOR VIDEOS
Check out these inspirational videos by some of this month’s contributors for additional informative online demonstrations
Top Courses Top Tutors
Select from some of the best art courses in the UK and abroad
PRACTICALS
Celebrating the rose
Colourist Peter Graham describes how he uses roses to create atmosphere in his light-filled still-life oil paintings
A touch of body colour
Judi Whitton explains how to introduce opaque media to your watercolours to ‘produce timeless, subtle and harmonious’ paintings
Alla-prima oils
Haidee-Jo Summers says the alla-prima approach is a great way to freshen-up your oil paintings. Here she suggests you put yourself to the test by limiting the number of brushstrokes you use
Beach views
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Robert Dutton continues his series with advice on how to use the rules of one-, two- and three-point perspective with exciting viewpoints to create dynamic cityscapes
Smooth, strong colour
‘Firm, velvety-smooth, intensely coloured and reliably lightfast’ is how Susie Hodge describes Derwent’s new Procolour pencils
Mess versus finesse
In the last of his six-part series Paul Talbot-Greaves urges you to loosen up and allow yourself to start with mess – it really will end in success!
Still life with violin
Adele Wagstaff says that musical instruments make a beautiful subject, and demonstrates a still life of her violin
Jackson’s linen boards
Max Hale loves painting on Jackson’s ‘clever’ linen boards. They’re available in a wide range of textures and weights that should meet every artist’s needs
Mixed-media water colours
Paul Riley suggests introducing other media to your watercolours, with advice on the best way to do this. It’s all down to good planning…
How to paint edges
Michael Jules Lang explains, with examples, how to create a variety of edges, and why this will help you to achieve subtle, more sophisticated paintings
THE A-Z OF COLOUR
Some colours should be used with caution, advises Julie Collins, so much so that if mix your own you’ll obtain a better result
Sketching on the move
Seasoned traveller and plein-air sketcher Barry Herniman reveals what he packs in his lightweight sketching kit – the one he takes on his walking holidays. Our Art Courses & Holidays supplement, supplied free with this issue, has more ideas to inspire you!
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