Shopping Cart -

Your cart is currently empty.
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
EU
Pocketmags Digital Magazines
   You are currently viewing the European Union version of the site.
Would you like to switch to your local site?
Read anywhere Read anywhere
Ways to pay Pocketmags Payment Types
Trusted site
At Pocketmags you get
Secure Billing
Great Offers
Web & App Reader
Gifting Options
Loyalty Points

BOSK

BOSK

Spring brings fresh-sprouted trees growing up through the dirt. Summer’s warmth invites people to wander among the trunks, taking in the beauty of it all. Autumn sends golden leaves drifting down to the ground in mosaic patterns, before winter resets everything fresh for another year. In Bosk, the changing of the seasons isn’t just an abstract concept dressing up another otherwise generic strategy game; they’re real, tangible phases, distinct from each other as frost and sunshine but woven together into a single kaleidoscopic picture – albeit with a couple of loose ends.

Within its four-season structure, Bosk is two different area-control games in one. The first, the game’s spring and summer rounds, is the more straightforward. Players place eight trees of differing values on the intersections between the gridded board’s rows and columns (‘trails’ in the game’s charmingly pastoral lingo), before totting up who has the highest and secondmost total along each vertical and horizontal line. Letting someone claim a plane undefended nets them more points, rewarding deliciously dickish blocking at the cost of claiming your own private stretch of the countryside.

Bosk’s second, stronger act pulls the game’s impressively cohesive vision together. You see, those trees aren’t done with once they’ve been scored in the summer. In autumn, the players spend their limited supply of numbered tokens to force each tree to shed a specific number of leaves to the ground, placing them in a line as directed by the shifting wind. The leaves stake a claim to the squares between the trails depending on who controls the most and secondmost squares in each of the different territories – but freshly-dropped leaves can cover those already on the floor, making it a literal pile-on as the tokens mount up. The ultimate affront is the squirrel, which each player can deploy to permanently seize control of a square – forget the bucolic theme, don’t be surprised if you see blood on the leaves.

Each of Bosk’s area-control puzzles is interesting enough alone, but it’s in the way that the more passivelycompetitive first half of the year seeds the direct territorial struggle of the second that the game reaches above the canopy. Weighing up the separate-but-linked scoring possibilities of both rounds at once while you position your trees in the spring can be a little overwhelming – especially when teaching newcomers – but there’s enough control over where your leaves fall during the autumn round to avoid the second half feeling futile after a so-so opener. Not to mention that the payoff of seeing your leaves scatter across the board and cover those of your opponents comes with its own sense of technicolour satisfaction.

The seasonal flow of Bosk makes its two-in-one dose of abstract strategy easier to digest – it’s honestly hard to think of a more fitting theme or presentation, outside of peeling edges on the card trees – but it also introduces a jolting start-stop momentum to the game. Having two of the four seasons be scoring rounds with similar but not identical rules makes the already overfussy scoring conditions (with different point values in spring and summer depending on who’s first and second, if they’re tied, if there’s only one player present, etc. for each and every trail/ territory) suck up more of the otherwise reasonable playing time than you’d ideally like, especially with more players. (The gameplay itself adjusts comfortably across the two- to four-player range thanks to scaling play areas.)

When you’re in the thick of its thickety creation, though, Bosk is wonderful. Slightly baggy scoring aside, its movement through the seasons is a remarkable thematic accomplishment, while its surprisingly sharp competitive edge gives its mirrored structure plenty to offer those after a meaningful strategy game – or two. Bish, bash, bosk.

MATT JARVIS

WE SAY

Bosk’s complimentary but distinctive spring and autumn rounds work together in sweet harmony to offer a really intriguing game of two interconnected halves, wrapped up in a beautiful natural theme – just be prepared to curse those damn squirrels.

WHAT’S IN THE BOX?

► 32 leaf tiles

► 144 leaf tokens

► Four squirrel tokens

► 32 trees

► Wind board

► Game board

► Wind direction marker

► Hiker Score track

TRY THIS IF YOU LIKED… PHOTOSYNTHESIS

If you go down in the woods in either of these games, you’ll find a surprisingly tight-knit tree-growing competition.

READ MORE
Purchase options below
Find the complete article and many more in this issue of The Best Games of 2019 - The Best Games of 2019
If you own the issue, Login to read the full article now.
Single Issue - The Best Games of 2019
€10.99
Or 1099 points

View Issues

About The Best Games of 2019

Must Plays and more in our Best Games of 2019 issue of Tabletop Gaming. Over the next 196 pages discover all of the most positively reviewed games of the year. With a massive 181 games reviewed, this is the definitive “what to play next” guide of 2019! Games reviewed include: Wingspan Copenhagen Hellboy: The Board Game Res Arcana Lifeform Century: A New World Megacity: Oceania Pandemic: Fall of Rome Warhammer Fantasy Roleplay: Rough Nights & Hard Days Azul: Stained Glass of Sinatra Tapestry Letter Jam Hako Onna Everdell Battle Ravens Dune + Many more!

Other Articles in this Issue